
Then I figured a hat would be nice, but I wanted to use some of the techniques in the wonderful Polarity Music grid effects video from just a week ago, so I used recorders for glitch beat repeats here.
Then I started making an arp, and modulated it with mostly sync and a resonant filter to make something very psy indeed out of it.
Next up, something crazy, and it became animals. Started as psy farts, but the screams and cries turned out much more organic than that, which I love.
And then I needed a riser, where I kind of maybe cheated a bit and took a sample, but then did some fancy panning and filtering with it.
The track arrangement is with buttons this time. The Bitwig track has some button automations that enable and disable the tracks. This leaves the reverb and delay tails untouched, so that's good.