How To Make Rave-y TECH HOUSE Like TONY ROMERA & LOW STEPPA (Ultimate Guide)

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In this video, we're going to make a ravey tech house song inspired by tony romera and low steppa's song "dance to the music." we'll see if we can achieve this in under five hours of in-session time using the 80 20 rule of house music.

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- Novation Circuit:
• Elektron Model Cycles:
• Ableton Push 2:
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• Pioneer DDJ-400:
• Fender Jazzmaster:
• GoPro Hero 7 Black:

For a more detailed breakdown of the gear I use to make my style of deep house music, check this out —

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Links included in this description might be affiliate links. If you purchase a product or service with the links that I provide I may receive a small commission. There is no additional charge to you! I'm not a legal or financial professional. I'm not in a position to give you legal or financial advice.
Always consult a legal or financial professional before making any decisions.

With that said, thank you so much for supporting Best Friends Club so I can continue to hit you up with free content each week and continue making music, my friend! 🤗

00:00 Introduction to the Video
00:20 Overview of the Ableton Project
00:28 Creating the Drum Section
01:10 Working on the Kick
04:55 Adding the Open High Hat
06:02 Incorporating Additional Hi-Hats
07:20 Introducing the Snare
08:13 Layering in the Clap
09:05 Adding Character with Top Loops
12:06 Building the Bass Section
12:06 Creating the Sub Bass
15:37 Designing the Mid Bass
19:36 Adding the Synth Tracks
22:28 Introduction to Sound Design and Rave Generator
23:02 Exploring the Ravey Sound and Chord Stabs
23:44 Sound Design: House Staff and Transient Designer
24:17 Using Portal for Character and Weirdness
24:49 Creating a Snappier Sound with One-off Saturation
25:09 Introducing a New Technique with Sin Plant
26:18 Using Ableton Spectral Resonator for Key Preservation
27:24 Adding Interest with Corpus and Decay Automation
27:51 Incorporating Guitar Loops for Unique Direction
28:31 Using Tantra for Texture and One-off Saturation
33:47 Exploring Micro and Macro Transitions in Arrangement
33:53 Building the Song Vertically and Horizontally
42:17 Conclusion and Final Thoughts

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