The Samples: Massive Attack – 'Blue Lines' Edition

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This episode explores Massive Attack’s 1991 Album ‘Blue Lines’ and the songs & sources that were sampled to help make It.

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About The Album:
Blue Lines is the debut studio album by English electronic music group Massive Attack, released on 8 April 1991 by Wild Bunch and Virgin Records. The recording was led by members Grantley "Daddy G" Marshall, Robert "3D" Del Naja, Adrian "Tricky" Thaws, and Andrew "Mushroom" Vowles, with co-production by Jonny Dollar. It also features contributions by singers Shara Nelson and Horace Andy. Generally regarded as the first "trip hop" album, Blue Lines blended elements of hip hop (such as breakbeats, sampling, and rapping) with dub, soul, reggae, and electronic music.
Blue Lines was named the 21st greatest album of all time in a 1997 "Music of the Millennium" poll conducted by HMV, Channel 4, The Guardian and Classic FM. In 2000, Q readers placed it at number 9 in the magazine's poll of the "100 Greatest British Albums Ever". In 2003, the album was included on Rolling Stone's list of "The 500 Greatest Albums of All Time" and again in 2012 and 2020. Pitchfork ranked it at number 85 in its list of "The Top 100 Albums of the 1990s"

A remastered version of the album was released on 19 November 2012

Blue Lines is generally considered the first trip hop album, although the term was not widely used before 1994. A fusion of electronic music, hip hop, dub, 1970s soul and reggae, it established Massive Attack as one of the most innovative British bands of the 1990s and the founder of trip hop's Bristol sound. AllMusic's John Bush also affirmed the album as the "first masterpiece" of what later became known as trip hop, and described it as "filter[ing] American hip-hop through the lens of British club culture, a stylish, nocturnal sense of scene that encompassed music from rare groove to dub to dance." The album featured breakbeats, sampling, and rapping on a number of tracks, but the design of the album differed from traditional hip hop. Music critic Simon Reynolds stated that the album also marked a change in electronic and dance music, "a shift toward a more interior, meditational sound. The songs on Blue Lines run at 'spliff' tempos – from a mellow, moonwalking 90 beats per minute ... down to a positively torpid 67 bpm.

Intro Song: Massive Attack – Safe From Harm

End Screen Song –Dave – Funky Friday

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