The Cold War, Metallica’s 1991 concert in Moscow, The fall of the USSR, anti-communism, the commodification of subversion, hair metal, and much more that is sure to harken "not that deep bro" from many. The genre and culture of heavy metal, something widely regarded for its inherent subversive character, found great success within the capitalist status quo in the mid to late 80's via the mainstream success of hair metal. What's more, this newfound market served a purpose beyond lining the pockets of the music industry: Anticommunism and the fall of the US's mortal enemy: the USSR.References:
Workers Disarmed: The Campaign Against Mass Picketing and the Dilemma of Liberal Labor Rights Ahmed A. White
Carney, C. (2016, August 31). Jazz, Blues, and Ragtime in America, 1900–1945. Oxford Research Encyclopedia of American History. Retrieved 22 Nov. 2024, from .
A Policy of Rock: How Rock and Roll Undermined the Communist Revolution in Cold War Russia
Nothin' But a Good Time: Hair Metal, Conservatism, and the End of the Cold War in the 1980s
The Collapse of the U.S.S.R.
30 Years since Moscow’s Monsters of Rock Remembering Russia’s biggest-ever rock festival, featuring Metallica’s all-time greatest performance and miraculously zero fatalities — Meduza
Metal Militia behind the Iron Curtain: Scene formation in 1980s East Germany - Unearthing The Music
One Dimensional Man, Herbert Marcuse
Capitalist Realism, Mark Fisher
Stalin: History and Critique of a Black Legend, Domenico Losurdo
Stasi State or Socialist Paradise: The German Democratic Republic and What Became of It, John Green and Bruni De La Motte
Hungry Ghosts in the Machine, Mike Watson
Inventing Reality, Michael Parenti
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