Call Him An Uber, For His Drunk Ass! | Traditional Pop/Beauty Shop [Obscure 50s Music]

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[Obscure 50s Music] The Sassy Tones - Call Him An Uber, For His Drunk Ass! (1956)

"UBER BOOZE BLUES – A STAGGERING SAGA OF SLURRED SEDUCTION & SASS"

Welcome to Retroactive Rhythms! Step back into the golden era of 1950s traditional pop with The Sassy Tones, an all-female barbershop quartet known for their razor-sharp harmonies and even sharper wit! Their hilarious, toe-tapping single, "Call Him An Uber, For His Drunk Ass!", became a cult favorite among fans of obscure ‘50s music and doo-wop gems. Blending close harmonies, sass, and swing, this track is a perfect example of four voices in harmony with a whole lot of attitude.

At Retroactive Rhythms, we unearth AI-powered obscure vinyl treasures, reviving lost hits and reimagining classics for modern ears. Whether you're into vintage barbershop sounds, obscure ‘50s songs, this is your home for the best AI music recreations. Hit subscribe for more rare tunes from the past—reimagined for today! 🎶✨

*The Sassy Tones*

In the sizzling summer of 1956, The Sassy Tones—a powerhouse quartet featuring Lola Sinclair, Carmen Lawson, Vivian Hart, and Doris Monroe—dropped their cheekiest hit yet: “Call Him An Uber, For His Drunk Ass!”. With their signature tight harmonies, razor-sharp wit, and undeniable charm, the group transformed a frustrating night out into a rollicking barbershop-style bop that had women everywhere singing along. The song’s hilarious lyrics, inspired by a real-life encounter Lola had with a stumbling suitor, painted a picture every gal could relate to: a tipsy, clueless guy overstaying his welcome, and a woman who’s had just about enough.

Despite some radio stations clutching their pearls over the song’s colorful title, the track became an instant sensation, soaring up the Billboard charts and turning The Sassy Tones into a household name. Their **live performances—complete with sassy side-eyes, synchronized shimmies, and dramatic shooing motions—**had audiences in stitches, while television hosts like Ed Sullivan struggled to keep a straight face when introducing them. One flustered announcer even tried to censor the title mid-broadcast, calling it “Call Him an Uber...for His...Uh...You Know!”—which only made fans love it more.

Though the group would go on to record other hits, no song quite captured their playful rebellion like this one. By the time 1957 rolled around, women everywhere had a new battle cry for unwanted barroom attention, and bartenders had an easy solution for sloppy suitors. Meanwhile, Lola, Carmen, Vivian, and Doris? They were too busy laughing all the way to the bank—and avoiding any guy who looked like he couldn’t stand up straight.

🔴 DISCLAIMER: This is an AI Music Comedy Channel! The artist & band stories are fictitious, and lyrics won’t be historically accurate—think “what if they sang about this in that era” for laughs. If you're here for serious music history, this ain't it. But if you’re here to kick back and enjoy some wild tunes, welcome to the party! 😆🎶

#obscure50smusic #traditionalpop #aimusic