
(director Henry Lehrman) to give him money.
Chaplin is then shown flirting with a woman;
Lehrman enters to present the woman with flowers
and sees Chaplin. A slapstick fight between the two
ensues. Later, Lehrman's character takes a
photograph of an automobile accident; Chaplin's
character steals the camera whilst the journalist is
helping a trapped motorist and rushes back to the
paper with it to claim the photograph as his own. A
short pursuit with the Keystone Kops follows.