Fabfilter Pro-Q 4: COMPLETE RUNDOWN

ะŸั€ะพัะผะพั‚ั€ะพะฒ: 4, 730   |   ะ—ะฐะณั€ัƒะถะตะฝะพ: 2 ะผะตั.
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๐Ÿ‘‰๐—™๐—ฅ๐—˜๐—˜ ๐—ง๐—ถ๐—ด๐—ต๐˜๐—ฒ๐—ป ๐—•๐—ฟ๐—ฒ๐—ฎ๐—ธ โ†’

๐Ÿ”ฅ๐—ฃ๐—”๐—–๐—ž๐—ฆ ๐—จ๐—ฆ๐—˜๐—— ๐—œ๐—ก ๐—ง๐—›๐—œ๐—ฆ ๐—ฉ๐—œ๐——๐—˜๐—ข:
๐Ÿ‘‰๐—ข๐—š ๐—๐˜‚๐—ป๐—ด๐—น๐—ฒ ๐—ฉ๐—ผ๐—น. ๐Ÿญ โ†’
๐Ÿ‘‰๐—”๐—ฐ๐—ถ๐—ฑ ๐—Ÿ๐—ฎ๐—ฏ โ†’
๐Ÿ‘‰๐—š๐—ก๐—”๐—ฅ๐—Ÿ๐—ฌ ๐—ฉ๐—ข๐—Ÿ. ๐Ÿฎ โ†’
๐Ÿ‘‰๐—š๐—ก๐—”๐—ฅ๐—Ÿ๐—ฌ ๐—ฉ๐—ข๐—Ÿ. ๐Ÿญ & ๐Ÿฎ ๐—•๐˜‚๐—ป๐—ฑ๐—น๐—ฒ โ†’
๐Ÿ‘‰๐— ๐—ข๐—ฅ๐—˜ ๐——๐—˜๐—ฉ๐—œ๐—”๐—ก๐—ง ๐—ฃ๐—”๐—–๐—ž๐—ฆ โ†’

๐Ÿท๏ธ๐—™๐—ข๐—Ÿ๐—Ÿ๐—ข๐—ช ๐— ๐—˜:
๐Ÿ‘‰๐—œ๐—ป๐˜€๐˜๐—ฎ๐—ด๐—ฟ๐—ฎ๐—บ โ†’
๐Ÿ‘‰๐—ง๐—ถ๐—ธ๐—ง๐—ผ๐—ธ โ†’
๐Ÿ‘‰๐—™๐—ฎ๐—ฐ๐—ฒ๐—ฏ๐—ผ๐—ผ๐—ธ โ†’
๐Ÿ‘‰๐—ฆ๐—ผ๐˜‚๐—ป๐—ฑ๐—ฐ๐—น๐—ผ๐˜‚๐—ฑ โ†’
๐Ÿ‘‰๐—ฆ๐—ฝ๐—ผ๐˜๐—ถ๐—ณ๐˜† โ†’

๐Ÿ†“๐—™๐—ฅ๐—˜๐—˜ ๐—ฆ๐—ง๐—จ๐—™๐—™:
๐Ÿ‘‰๐—ฆ๐—ง๐—ฅ๐—”๐—ก๐—๐—”๐—› ๐—ฆ๐—ฎ๐—บ๐—ฝ๐—น๐—ฒ ๐—ฃ๐—ฎ๐—ฐ๐—ธ โ†’
๐Ÿ‘‰๐—ฆ๐—ง๐—ฅ๐—”๐—ก๐—๐—”๐—› ๐—ฆ๐—ฒ๐—ฟ๐˜‚๐—บ ๐—ฃ๐—ฟ๐—ฒ๐˜€๐—ฒ๐˜ ๐—ฃ๐—ฎ๐—ฐ๐—ธ โ†’
๐Ÿ‘‰๐—ฆ๐—ง๐—ฅ๐—”๐—ก๐—๐—”๐—› ๐—ฆ๐—น๐—ถ๐—ฐ๐—ถ๐—ป๐—ด ๐—ฃ๐—ฟ๐—ฒ๐˜€๐—ฒ๐˜ โ†’

๐—™๐—”๐—ฉ๐—˜ ๐—ฉ๐—ฆ๐—ง/๐—ง๐—ข๐—ข๐—Ÿ๐—ฆ:
๐Ÿ†

๐—”๐—Ÿ๐—ฆ๐—ข ๐—–๐—›๐—˜๐—–๐—ž ๐—ข๐—จ๐—ง:
๐Ÿ““๐— ๐˜† ๐—ฆ๐—ธ๐—ถ๐—น๐—น๐˜€๐—ต๐—ฎ๐—ฟ๐—ฒ ๐—–๐—น๐—ฎ๐˜€๐˜€ ๐Ÿญ ๐— ๐—ผ๐—ป๐˜๐—ต ๐—™๐—ฅ๐—˜๐—˜ โ†’
๐Ÿ—จ๏ธ๐—๐—ผ๐—ถ๐—ป ๐—บ๐˜† ๐——๐—ถ๐˜€๐—ฐ๐—ผ๐—ฟ๐—ฑ โ†’

0:00 Introduction to FabFilter Pro-Q 4: Overview of New Features
1:45 How to Sketch EQ Curves in Pro-Q 4
5:28 Shortcut Tip: Quickly Widen Your EQ Bands
6:32 Pro-Q 4 Analog Emulation: A Game Changer!
10:55 Fractional Slopes in Pro-Q 4
13:25 Managing Multiple Instances of Pro-Q 4
16:50 What is Dynamic EQ? Pro-Q 4's Dynamic Bands Explained
21:00 Compression Explained: Visual Demo with Hand Gestures
27:15 Spectral Dynamics: Enhancing Precision in Pro-Q 4
30:19 Using Scale and Auto-Gain for Balanced Mixes
31:47 Extreme Analogue Modes: A Comparison of Sounds
32:42 How to Use Sidechain Dynamic EQ in Pro-Q 4
41:00 Creating Space for the Foghorn Bass with Sidechain Dynamic EQ

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