Mike Callander | Techno 100Vinyl Live | Tilt Shift Tuesday 24th Sept 2024

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Mike Callander | Techno 100Vinyl Live | Tilt Shift Tuesday 24th Sept 2024

Mike started DJing in 2001, and since then has been recognised as one of Australia’s most diverse and yet consistent selectors. In 2008 Mike co-founded Haul Music and began releasing ambitious avant-garde techno productions, including a long-player “Antarctica” and subsequent remix album, from which his tracks found their way onto mix CDs such as Dave Seaman’s Renaissance Masters, and into the crates of various tastemakers, and surprisingly even onto morning television.

In 2012, alongside accomplished sound designer Davide Carbone, Mike co-founded School of Synthesis, an educational facility that offers high-end hands-on training to music producers and DJs. His work at SOS led him to become an Ableton Certified Trainer, one of only 250 people in the world endorsed by the company to demonstrate their software.

Since 2016 Mike expanded his educational focus to include sessional lecturing, mentoring and technology classes at The University of Melbourne’s Bachelor of Music in Interactive Composition, where he is currently completing his Masters Research into the bridge between Techno DJing and studio practice.

In 2016 and 2017 Mike’s production skills took him across Australia and the world for more than 30 shows with The Avalanches. This chart-topping Australian band is one of many to engage Mike’s live-show programming skills to take their project from the studio onto stages such as Glastonbury, Roskilde, Rock Werchter, BBK Live and Fuji Rock. More recently his work with the band has expanded to include production work on tracks for their third album.

Today Mike is more inspired for DJing and live performance than ever, but has an additional focus: Zero Percent, the production team he formed with Kim Moyes (of The Presets) and their record label Here To Hell. Zero Percent has thus far turned out genre-smashing remixes for The Drones, The Avalanches and The Jezabels, and is fast developing a reputation for sweaty, energetic performances at their Here To Hell label nights.




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Tilt Shift sits firmly left of center, a difficult-to-label square peg that unintentionally fails to fit a pigeonhole. Borrowing from the photography term, Tilt Shift refers to two different types of movement, a selective focus with a large depth of field used to control perception. This can be applied to our music policy, tilting the vertical axis resulting in a sharp area of focus without reducing the depth of field. This movement is often used to avoid the convergence of parallel lines, or as we have come to think of it, it’s where the lines blur.

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