@TiltShiftMelbourne Streaming Tuesdays 7 pm-midnight Every Week live from @newguernica9398 in Melbourne on Youtube & Twitch.
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Phil Smart | Alt Electronica Acid Indie Dance Live | Tilt Shift Tuesday 4th Nov 2024
Phil has played lots of records to lots of people in lots of clubs, bars, warehouses, fields, basements, carparks and bunkers for the last twenty years. He’s renowned for playing the newest sounds and forward-thinking electronic music.
Voted Australian DJ Of The Year at the National Dance Music Awards in 2000. Twice voted into DJ Magazine's prestigious list of the world's Top 100 DJs. Infamous long-standing residency at Tweekin, the Sydney clubbing institution voted Best Club Night at the 2000 Dance Music Awards and described by DJ Magazine in the UK as "coming under the very short list of proper clubs around the world".
As an indication of musical versatility, Phil has been chosen to play alongside visiting DJs as diverse as Michael Mayer, M.A.N.D.Y., Adam Freeland, Sven Vath, Derrick Carter, Sasha, John Digweed, and Jose Padilla.
Promoter or co-promoter of some of Sydney's most legendary parties and club nights, including Sabotage, The Project, NY2K, Jus Right, and Organic. Co-founder of record labels Think and Thunk, which was responsible for early releases by Infusion and Pocket. Released original material and remixes under various guises, including Headland, Earthlink, Altitude, and Sprocket. For the past couple of years has been working with the Junkbeats collective in Byron Bay, producing and releasing more new music, including the critically acclaimed Lighthouse mix compilation. Recently relocated to Newcastle.
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@TiltShiftMelbourne is an Event Brand Managed and Curated by Melbourne Artist @stockholmsyndromeau
Tilt Shift sits firmly left of center, a difficult-to-label square peg that unintentionally fails to fit a pigeonhole. Borrowing from the photography term, Tilt Shift refers to two different types of movement, a selective focus with a large depth of field used to control perception. This can be applied to our music policy, tilting the vertical axis resulting in a sharp area of focus without reducing the depth of field. This movement is often used to avoid the convergence of parallel lines, or as we have come to think of it, it’s where the lines blur.
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