See more about the exhibition, "Radical Presence: Black Performance in Contemporary Art" at This new performance, commissioned for the San Francisco presentation of Radical Presence, takes Ralph Ellison’s 1952 novel Invisible Man as its starting point. As Leonardo performs the speech given by the novel’s narrator at Brother Clifton’s funeral, a local brass marching band performs a routine that mimics the impact of the speech, interweaving the artist’s words with choreographed moments of confusion and disorder. These words serve as a memorial, a rejection, a challenge, and call to action, all at once. Appropriate funeral attire is encouraged.
About "Radical Presence: Black Performance in Contemporary Art":
YBCA is thrilled to be the only West Coast venue for Radical Presence: Black Performance in Contemporary Art, the first comprehensive survey of performance art by black visual artists from the United States and the Caribbean. The artists included in this exhibition have been using performance in their work for more than five decades, generating an incredible wealth of performance art that has been largely unrecognized until now. Radical Presence explores the history of black performance traditions within visual arts, beginning with Fluxus and Conceptual art in the 1960s all the way through present practices. This groundbreaking exhibition features video and photo documentation of performances, performance scores and installations, audience interactive works, as well as works created as a result of performances. Live performances will be scheduled throughout the run of the exhibition, including a special opening day celebration packed with nine performances.
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