
How did reggae become the sound of resistance in the UK? In this Exchange, the influential Barbados-born reggae guitarist, bass player and record producer Dennis Bovell talks about moving to South London at the age of 12 and navigating its tense racial and musical landscape. Through the music he wrote and produced, he responded directly to racist rhetoric and colonialist attitudes rocking the UK. After the arrival of the Empire Windrush ship in June 1948—which brought a generation of Caribbean people over to rebuild post-war Britain—the UK experienced new social pressures as the diaspora assimilated to their new lives. But London also became a melting pot of creative and cultural diversity. Reggae became resistance music, and artists like Bovell became bandleaders.
Bovell speaks with writer and musician Tony Nwachukwu about music as social commentary, especially in his reggae band Matumbi, which was intentionally provocative, aiming to challenge the status quo and give voice to the Black British experience through its lyrics, themes and messaging. Matumbi was critical in developing the British reggae sound, and Bovell went on to record other musical projects that were key in shaping the early days of reggae, Jamaican dub and lover's rock. He also reflects on his time spent engineering for artists in different scenes, like the German electronic duo Saâda Bonaire, the Japanese band Yellow Magic Orchestra and Ryuichi Sakamoto's solo work. Bovell's unique ability to bring together different musical styles at the peripheries of dub sensibility made him a highly sought-after collaborator with a special ability to navigate delicate dynamics in the industry, especially for Black musicians and artists. Listen to the episode in full.
00:00 - Intro
01:28 - Growing up in Barbados
06:27 - Determined to become a musician
13:00 - Matumbi reggae band
23:38 - Transitioning from engineer to producer
39:00 - Using sound systems in productions
56:00 - Putting reggae on the map