How to Write a Prologue — Writing Tips and Tricks

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Prologue Tips — Prologues are as controversial as they are common; so what makes them work?

What is a Prologue? ►►
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Chapters:
00:00 - Introduction to Prologues in Film
00:50 - Prologue Defined
02:58 - Ch. 1 - World Building
05:43 - Ch. 2 - Character Introduction
09:34 - Ch. 3 - Tone Setting
13:03 - Takeaways

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WRITING PROLOGUES

Probably one of the most common pieces of advice a writer gets is to not waste any time starting your story. A prologue flies in the face of that advice, by definition delaying a story's start. So what good is a prologue? In this video, we look at why you may want to use a prologue. If you're prologue isn't serving any of these purposes, then you may want to rethink its necessity.

WORLD BUILDING PROLOGUE TIPS

Prologues are instrumental in constructing the world of the film, particularly stories set in unfamiliar or complex environments. They allow filmmakers to establish the rules, history, or geography of the setting without overwhelming the audience later. By presenting key details early, the prologue immerses the audience in the story’s universe, creating a sense of place and context. This can be done through visuals, narration, or titles.

ON WRITING PROLOGUES FOR CHARACTER

A prologue can be a stellar way to introduce key characters. It can include their backstory, motivations, or defining traits that will shape their journey in the film. By providing insight into a character’s past (or present), the prologue establishes an emotional connection between the audience and the character. It doesn't have to be the protagonist– often, films will use a prologue to introduce a particularly intimidating antagonist so we know what is coming down the line.

TONE SETTING PROLOGUES IN FILM

Setting the tone is a critical aspect of any prologue. A prologue can quickly communicate the film’s emotional and stylistic direction, preparing the audience for the journey ahead. A well-crafted prologue establishes the mood and aligns audience expectations with the filmmaker's intent. It can also set the thematic stage, hinting at the overarching ideas the film may be wrestling with.

Ignore the neigh-sayers: prologues are a versatile and powerful storytelling tool in cinema. Whether it be through world-building, character introduction, or tone-setting, they can provide a compelling entry point into the narrative. When executed effectively, they draw the audience in, ensuring they are fully immersed and ready to engage with the story when it at last unfolds.


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♬ SONGS USED:

“Eyes Wide Shut Theme” - Dmitri Shostakovich
“The Substance Score” - Raffertie
“Touchdown In Singapore” - Dan Stone
“Don’t Let Me Be Misunderstood” - Santa Esmeralda
“Vigil” - Brandon Hopkins
“Introduction (Hellboy II)” - Danny Elfman
“The Incredits” - Michael Giacchino
“Main Title (Escape From New York)” - Alan Howarth & John Carpenter
“Desert Suite” - Brad Fiedel
“End Credits (28 Days Later)” - John Murphy
“Fed Net March” - Basil Poledouris
“Prologue: One Ring To Rule Them All” - Howard Shore
“Zuul Pt. 1” - Elmer Bernstein
“Principles of Lust” - Enigma
“Shawshank Prison (Stoic Theme)” - Thomas Newman
“Useless” - Thomas Newman
“Brandy” - Looking Glass
“Into The Breach” - John Williams
“Night Search” - John Williams
“Trinity Infinity” - Don Davis
“Nightmare on Elm Street Theme” - Charles Bernstein
“Overture (The Big Race)” - Danny Elfman
“Cry Baby” - The Honey Sisters
“Solaris” - Makeup and Vanity Set


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