WORST 90's Albums From 80's THRASH METAL Bands

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Join us as we dissect the misguided experiments, the failed adaptations, and the outright disasters that plagued some of the most revered thrash metal bands of the 80's. From misguided attempts to stay relevant to bold departures from their signature sound, these albums represent a cautionary tale of the perils of changing times and artistic evolution.

Through analysis and candid critique, we revisit these albums with a critical eye, exploring the factors that led to their downfall and the lessons they impart about the ever-shifting landscape of metal music. From production missteps to ill-conceived musical directions, we leave no stone unturned in our quest to uncover the truth behind these notorious releases.

Prepare yourself for a rollercoaster ride of disappointment, disbelief, and perhaps even a hint of nostalgia as we delve into the murky waters of the worst 90s albums from 80s thrash metal bands. Whether you're a die-hard fan seeking closure or a curious observer intrigued by the darker side of music history, this journey promises to be an eye-opening experience.

Anthrax - Volume 8: The Threat Is Real (1998)
Destruction - The Least Successful Human Cannonball (1998)
Kreator - Renewal (1992)
Overkill - The Killing Kind (1996)
Exodus - Force Of Habit
Sacred Reich - Independent (1993)
Xentrix - Scourge (1996)
Annihilator - Remains (1997)
Megadeth - Risk (1999)
Metallica - Load/Reload (Honorable Mention)
Death Angel - Act III (1990)

00:00 Intro
00:12 Dull, Paint By Numbers Attempt At Alternative Rock
01:06 Thomas Rosenmerkel Makes Your Ears Bleed
02:06 Failed Groove And Industrial With Bad Vocals
03:20 Lame Dad Metal a la Snakes N' Barrels
04:09 Never Go Full Butt Rock
04:58 How Do You Mess Up Groove Metal This Bad?
05:44 Generic Music + More Yarls
06:31 We Have Faith No More At Home...
07:31 At Least He Tried...
08:35 Honorable Mention
08:55 Stop Pretending This Is Good

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I do not own the rights to any of the featured song clips on this video. All credit to the artists and labels with specific permission granted. These fall under fair use based on sufficient transformation for the purpose of review, promotion, and commentary.