TELE.S.THERION w/ STELIOS ROMALIADIS - "HEXIS HORMÊTIKÊ [PARA TO KATHÊKON]" (Acousmatic Black Metal)

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GENRE: conceptual art / black metal / acousmatic / dark ambient / electroacoustic / avant-garde / doom metal / sound art / musique concrete / experimental music / ritual dark ambient / art of noise / dark metal / free jazz / atonal music / deep listening / acousmatic black metal / black ambient / black industrial / black noise / free improvisation /

◢◢◢ *TELE.S.THERION* *with* *STELIOS ROMALIADIS*
"HEXIS HORMÊTIKÊ [PARA TO KATHÊKON]"

◢ Acousmatic Black Metal
◢

◢ AUDIOPHILE QUALITY | MASTER STUDIO EDITION
◢ CONCEPT ALBUM LENGTH: 90 MINUTES
◢ FORMAT:*.WAV FILES | 24 BIT 96 kHz
◢ ARTWORK: *.JPG HI-RES.
◢ DOWNLOAD FILE: *.ZIP FILE
◢ DIMENSIONS: 3 GIGABYTE (c.)

◢ Score:
I. Hexis Hormêtikê [Para To Kathêkon] (01h:30m:00s)

◢◢◢ TELE.S.THERION:
◢ Scores, Enharmonic Electric Bass, Electric Guitar, Percussions, Tape (disembodied voice), Four Actions Recorded Through A Spring Reverb Tank Used As A Contact Microphone, Silence.
◢ Stelios Romaliadis: Flutes.

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*"Aëris Primordia, Aëris Transverberant, fertilis in nubes cogitur, ducitur atque reflatur, Aër aliquando cogito expanditur, Aër modo spissat se modo expandit, Aër fervoribus ustus, Aër per nostras tenebris nigrum perlabitur, voluntas ardentior quam est hic Aër, Aër omne inter corpora quod fiat, possidat inane, Aër qui aeterna nocte torpescit, Aër dispergitur ad partis minutas corporis, Aër media non circumfundit tantum sed permeat. Aër corpora retribuat rebus, Aër omne inter corpora quod fiat possidat inane. At Calamus terribilem sonitum procul Aëre canoro increpuit; sequitur clamor caelumque remugi".*

_"The Primordial Air, the Transverberant Air, the fertile Air is forced to collpase in clouds, led and blown, the Air sometimes expands with thought, the Air just thickens, rarefies itself just expands, the Air is scorched with fervor, the Black Air slips through our darkness, the will is more ardent than this Air, the Air all between bodies that let it be, possess the void, the Air which is numb in the eternal night, the Air dispersed itself in the minute parts of the body, the Air does not surround the medium but permeates it. Let the Air return the bodies to the things, let the rippled Air possess everything that happens between the bodies, occupying all the void that forms between the bodies. But the "flute" made a terrible noise in the distant Air with a song; followed by a hoot and the sky was shaken."_

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*Hexis Hormêtikê [Para to Kathekon] : "The state of a Daemonic way of acting [Against (musical) Praxis]."*

_The title it's related to Tele.s.therion compositional method, using Stoic asset as a methaphor of the settings accomplished by radical constructivism, logonic or cybernetic of the mind. This syncretic paradigm, it is part of the TST's formula, about how "achieveing" to the music, as aesthetic operator. This idea follow an epistemological analysis about "free and spontaneous improvisation" music techniques, inside a radical "enactivist" prospective of the "mind–body problem" (embodied cognition). In the Stoic vision, to a mental event (hexis), corresponds a certain way of acting (hormê). The impulse does precede assent. There is an impulse (hormê) before an impulse (hexis). So those who suspend judgment about everything, do not remove this, but at the prompting of nature, use impulse, which leads them towards what appears appropriate (Viability. / Viability and the concept of selection. / Adaptation and Viability)". - T.S.T. --_

*Hexis Hormêtikê* : The Daemonic (or intuitive) way of acting, through the operational analysis of awareness and control of the impulsory state of the mind.

*Hexis* : Embodied into posture, gesture or certain kind of sign. It indicates an state of the mind, the application of an "attitude" toward perceptions, acting or experiences. "Héxis nou" means something like "I am the master of my mind".

*Hormê* : The individual's daemon. It also could be interpretated as discipline of acting.

*Para To Kathekon* : In the Stoic paradigm, this sentence it's about actions contrary to the "nature" of being, more largerly against the principles of a praxis, or a doctrine, or rules. _"Music" it's a conventional conception, a mental construct and not a fact. Therefore what we define as Music its actually a description of a "judgment". [...] Against the "rules" that "make" the "music", reorganizing the procedures and criteria on a broader consideration of the sound phenomenas, allows to open up to new aesthetic experiences. - T.S.T. --_

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◢◢◢ EDITION:
Published By: Radical Matters - Editions / Label | 2023
Catalogue: RMDE019
Licensed by: CC by nc nd 3.0

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