Jarret Lloyd Vincent (2 February 1950 – 17 November 2000), better known by one of his stage aliases Bim Sherman
Rooted in reggae, his music developed in later years in many directions, combining influences from all around the world, notably India. Sherman was also hailed as "reggae's sweetest voice". Bim Sherman was gifted with a haunting, ethereal voice that reached into the very heart of his listeners. In the mid 1970s he recorded a small body of classic roots tunes as a young struggling singer in Jamaica. He later moved to London.
Mainly devoted into roots reggae, he found his own style into this sub-genre. His music developed in many directions, with a mix of influences from a number of countries except Jamaica, notably India. Sherman was also one of the handful singers who was hailed with the exclamation mark "reggae's sweetest voice". which can be heard in songs, among others, as "Lovers Leap", "My Woman", "Golden Locks", "Earth People". In London, where he moved in early 80s, he became a part of infatuation between post-punk and reggae there. His album Across The Red Sea has musical similarities with e.g. UB40's first album Signing Off. He also made a name for himself recording with producer Adrian Sherwood's On-U Sound label.
Bim Sherman did not ascribe his love of music to any one person but rather to his family, with whom he would attend church services and Sunday school. But as he became older, he would go to the local dancehall:
"… I always knew I could make the music, ever since I was small and it was all I wanted to do. I remember growing up and listening to it, singing along with it and feeling the power of it, which is the other side of roots, and feeling light-headed…"
In the early seventies the young Sherman swapped trades from fisherman to electrician when he moved in with one of his brothers in central Kingston. His closest musical friends were Keith Porter and Ronnie Davis, who would go on to form premier vocal group the Itals, but his first recording experience was with his early mentor Gladstone 'Gladdy' Anderson at the famous Treasure Isle studios. But things did not work out as well as he hoped, or as he once so eloquently put it…
"…things just go boof!"
So his first record to be released was cut at the Federal studio with Sid Bucknor who was the engineer for '100 Years'. 'Love Forever' followed, a self-financed affair on the Element label and then came a string of tunes now recognised as reggae roots classics on Sherman's own Scorpio, Red Sea and Sun Dew imprints. These singles met with a degree of local success and appreciation which convinced him to continue, but in Jamaica there was always a kind of pressure:
"Lots of people like Randy's or Joe Gibbs want to record me, and even producers before them like Coxsone. But its not easy in JA (Jamaica) to get what you want out of recording and those people have a range of tricks they use to oppress you…"
Like so many other young Jamaicans in the seventies Sherman decided to try his luck in the UK, after being persuaded to join 1979's Roots Encounter tour alongside renowned toaster Prince Far I, Creation Rebel and Prince Hammer. In fact his first album 'Love Forever' had been issued a year earlier on the Tribesman label, including the title tune plus nine other previous Jamaican singles. Sherman settled in the UK cementing a friendship and business relationship with the young maverick reggae producer Adrian Sherwood, a long-time admirer of the singer. - last.fm
Sherman was diagnosed with cancer and died in November 2000, within weeks of his diagnosis. He received an obituary in The Times, a rare accolade for an underground reggae singer.
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