Oliver Condy, editor of BBC Music Magazine, explains how Mahler absorbed sounds from every corner of life, treating the symphony as a vast canvas on which he could portray observational journeys in time and space through his groundbreaking music.
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Oliver Condy, editor of BBC Music Magazine, explains how Mahler absorbed sounds from every corner of life, treating the symphony as a vast canvas on which he could portray observational journeys in time and space through his groundbreaking music.
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