Spectral Ritual - Void Transmisiion (Official Video) withchouse, ambient, dreamcore, dark ambient

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Spectral Ritual - Void Transmisiion (Official Video) withchouse, ambient, dreamcore, dark ambient Purchas track at
#witchhouse #ambient #dreamcore


Welcome to the official video for “Void Transmission” by Spectral Ritual—a haunting descent into shadowed soundscapes, where occult-tinged witch house rhythms collide with immersive ambient textures, surreal dreamcore passages, and the brooding drones of dark ambient.

Intro: 0:00 – 0:14 (Dark Ambient Invocation)

0:00 – 0:05: The track opens with a low, sub-bass drone—nearly inaudible at first—that gradually swells. This ominous foundation is punctuated by distant, metallic clangs (likely processed field recordings or synthesized percussion), creating an immediate sense of entering a primordial void.

0:05 – 0:14: As the drone persists, you hear whispered vocal fragments processed with cavernous reverb. These ghostly murmurs drift in and out of focus, suggesting occult chants beyond comprehension. A very subtle “whoosh” texture (white noise with spectral filtering) emerges, building tension for the beat to come.


Build-Up & Beat Drop: 0:14 – 2:08 (Witch House Emergence)

0:14 – 0:30: At precisely 0:14, a half-pitched-down kick drum (resembling a slowed 808) fades in beneath the continuing drone. Simultaneously, deep, subby synthetic pads begin to thicken, giving the texture more weight. You can hear faint, chopped “vocal stabs” in the background—short, glitched exhalations that hint at a witch house influence.

0:30 – 0:50: By 0:30, the percussion becomes more pronounced: a sparse snare/clap sequence with heavy delay (roughly 450 ms ping-pong echoes) appears on the off-beats. A warped rim-shot, pitch-shifted down a minor third, pops in occasionally. The BPM here feels locked around 72 BPM (144 BPM double-time), typical for “dragged-and-chopped” witch house.

0:50 – 1:30: Layered atop this foundation, spectral vocal samples (heavily reverbed and time-stretched) chant fragmented phrases like “veil,” “rite,” and “beyond”—all processed so they become textural rather than intelligible. Mid-range synth arpeggios—played in a minor key—begin to weave through the mix, alternating between sine-wave pulses and detuned sawtooth wobbles.

1:30 – 2:08: Leading up to 2:08, the energy ratchets up slowly: more percussive glitches enter (random hi-hat ghosts and reverse cymbal swells), and the sub-bass grows in intensity. Around 2:00, a sudden low-pass filter sweep on the kick and snare cuts all high frequencies, creating a “tunnel” effect. At precisely 2:08, the first major drop hits: the bassline modulates to a slightly different pattern, the snare shifts to a more prominent half-time feel, and a haunting choir-like pad soars in the right channel—signaling the transition into the next section.



Dreamcore Interlude: 2:08 – 3:46 (Ethereal Drift)

2:08 – 2:30: Immediately after the drop at 2:08, the percussion pulls back slightly—kicks and snares become more distant, replaced by a gentle hissing noise (soft white or pink noise) that sweeps across the stereo field. A shimmering, glassy pad (likely a granular-synthesis texture) takes center stage.

2:30 – 3:00: By 2:30, you hear a slow, dreamy arpeggio ascending in semitone steps—each note drenched in long tails of reverb and delay (around 700 ms). The BPM feels less discernible here, as the focus shifts to an amorphous, floating sensibility. Subtle reverse cymbals at 3:00 signal that a shift is imminent.

3:00 – 3:30: Ghostly vocal breaths (pitched up by about a fifth) emerge, weaving through the pad. These breaths are layered so they feel like “sighs” echoing in a cavern. Underneath, a sine-wave sub-pulse thumps at roughly 50 Hz, reminding you there’s still a pulse beneath the haze. The overall effect is “dreamcore”—a hypnotic lull that feels suspended between sleep and wakefulness.

3:30 – 3:46: Approaching 3:46, new elements creep in: a filtered bell-toned synth (resonant around 1 kHz) plays a slow, minor-key motif, and a low-whistle-like texture (perhaps filtered wind chimes) carries a mournful melody. At 3:46, the dreamcore haze collapses—mid/high frequencies choke out, and only the sub-bass and distant ghosts of the pad remain, preparing us for the final descent.

Dark Ambient Outro: 3:46 – 4:55 (Descent into the Abyss)

3:46 – 4:15: At 3:46, all rhythmic elements vanish entirely. What remains is a cavernous reverb tail—a massive, slow-decaying drone centered around 60 Hz with a secondary mid-frequency swirl (around 400 Hz). Beneath it, faint metallic reverberations (like echoes of distant bells) resonate every 1.2 seconds, giving the sense of an enormous, empty chamber.
4:15 – 4:40: Around 4:15, a new low-end texture emerges: a deep, pulsing sub-drone that modulates subtly between 50–80 Hz, almost like a dying heartbeat.