
This was a bit of an Amen break journey. The break is the original sample pitched up to 180bpm, heavily gated to let through only the transients of the drums. I then processed it through Audio Damage's Replicant 3, then chopped lots of little slices back into the original take.
Loving the Ableton Move. It's making the music creation process so much fun – it is not often you find an instrument with so few points of friction.