
How to Write a Flashback ►►
Subscribe to StudioBinder Academy ►►
StudioBinder Blog ►►
─────────────────────
Special thanks to:
Candybear캔디베어 ►►
Rachel The Editor ►►
Computer History Archives Project (“CHAP”) ►►
─────────────────────
Chapters:
00:00 - Intro to Flashbacks
01:06 - Flashbacks Defined
02:30 - Create A Need
04:10 - Flashback Arc
06:05 - Structural Considerations
08:15 - Texturing Backstory
09:37 - Changing Perspective
11:33 - Thematic Parallels
12:20 - Takeaways
─────────────────────
HOW TO WRITE FLASHBACKS
Flashbacks are extremely common in film. With nonlinear editing, a filmmaker can jump back in time whenever they see fit. But if not done with purpose, a flashback can feel cliched or expected. In this video, we look at how screenwriters and directors can use flashbacks to add layers to their story and streamline rather than bloat their narrative.
WRITING FLASHBACKS THAT WORK
A flashback should feel indispensable, not arbitrary. Introduce a compelling mystery, emotional tension, or unanswered question in the main narrative. By grounding the flashback in the present-day story, you can enrich the narrative rather than distract from it.
WRITING FLASHBACKS ARCS
Like with any scene, a flashback needs its own mini-arc. It should begin with a setup, escalate through conflict or tension, and conclude with a resolution (or revelation). This structure ensures the flashback is engaging and purposeful.
STRUCTURAL SCREENWRITING TECHNIQUES
Integrating flashbacks seamlessly into a film’s structure is crucial. Decide whether the flashback is a one-off scene or a recurring device. Avoid overloading the story with flashbacks that disrupt the narrative flow– each one should serve a specific purpose. You can slow a narrative down with a flashback, or ratchet up tension.
HOW TO WRITE A BACKSTORY
Flashbacks can add depth to characters by revealing formative experiences, motivations, or vulnerabilities. For instance, showing a character’s strained relationship with a parent can explain their present-day emotional guardedness. But this type of flashback is incredibly common, so it is easy to fall into a trope if you're not careful. Make sure your character flashback feels original, deserved, and true to your story.
WRITING A FLASHBACK TO CHANGE AUDIENCE PERSPECTIVE
A well-timed flashback can reshape how the audience views a character or event. Perhaps a villain’s flashback reveals a moment of profound betrayal, inviting sympathy. These types of flashbacks are often used in movies with twists.
SCREENPLAY FLASHBACKS FOR THEMES
Flashbacks can reinforce a film’s themes by mirroring events or emotions in the present. Use your flashback as an opportunity to show your thematic concerns in a new context. This can strengthen your film's point of view, and add complexity to the themes you are interrogating.
Just because flashbacks are common doesn't mean they need to feel obvious. By thoughtfully employing flashbacks, filmmakers can add layers of tension, emotion, and meaning to their stories.
#FilmTheory #VideoEssay #Filmmaking
─────────────────────
♬ SONGS USED:
“The Shawshank Redemption” - Thomas Newman
“Exit Strategy” - Alternate Endings
“Forrest Gump Suite” - Alan Silvestri
“Violin Sonata No. 2 in A Minor, BWV 1003 II. Fuga” - Bach
“The Chase” - Alan Reeves
“The Girl With The Staff” - John Williams
“Suite (Casablanca)” - Max Steiner
“The End (Edward Scissorhands)” - Danny Elfman
“Liquid Dance” - A. R. Rahman, Palakkad Sreeram, and Srimathumitha
“Dreams on Fire” - Suzanne
“End Credits (Lost)” - Michael Giacchinio
“Hollywood Vines” - Michael Giacchinio
“Locked Out Again” - Michael Giacchinio
“Colorado Springs” - David Julyan
“Motel Room” - David Julyan
“Adagio Per Archi E Organo in Sol Minore” - Lesley Barber
“Theme From Eternal Sunshine of the Spotless Mind” - Jon Brion
“The Scar of Memories” - John Williams
“Why Do We Fall?” - Hans Zimmer
“Hello Zepp + Overture” - Charlie Clouser
“What have We Done To Each Other?” - Trent Reznor and Atticus Ross
“How To Blow Up A Pipeline” - Gavin Brivik
“Close To You” - The Carpenters
“Stand By Me” - Ben E. King
Music by Artlist ►
Music by Artgrid ►
Music by Soundstripe ►
Music by MusicBed ►
─────────────────────
SUBSCRIBE to StudioBinder’s YouTube channel! ►►
Looking for production management solution for your film? Try StudioBinder for FREE today:
— Join us on Social Media! —
Instagram ►►
Facebook ►►
Twitter ►►
#FilmTheory #VideoEssay #Filmmaking