Hierarchical Control of Sequences in the MARF | The Art of Production: Suzanne Ciani

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The American modular synth pioneer unpacks how she uses the 248 MARF (Multiple Arbitrary Function Generator) for her improvisation.

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Improvisation is a core part of Ciani’s practice. Since she started touring in the '70s, the producer has used four 16-stage sequences as the foundation for most of her live performances, including her "Improvisation on Four Sequences".

Production: Theo Schear

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