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DAW: Cubase 14 Pro -
Monitors: ATC SCM25 Mk 2 -
Alt Monitors: Fluid Audio Image 2
Subwoofer: Dynaudio 18S -
Interface: RME UFX ii -
Interface Controller: RME ARC-USB -
Desk: AZ Studio Workstations -
Main Microphone:
Sony C800G
Lauten Audio LT-386 Eden -
Other Microphones:
Lewitt LCT1040 -
Lauten Audio LA-320 -
Lauten Audio LA-220 -
Lauten Audio LA-120 -
Slate ML-1 -
Shure SM7B -
Advanced Audio 251 -
JZ BH-2 -
JZ V11 -
Voiceover Mic: Lauten LS-208 -
Compressors:
AudioScape 76D -
AudioScape Opto Comp
MIDI Keyboard:
Arturia Keylab 61 Mk2
ROLI Piano M
Keyboards:
Arturia Polybrute -
Roland Juno DS88 -
Moog Subsequent 37 -
Roland Juno 106 (Vintage)
Guitars:
Fender American Professional Stratocaster -
Gretsch Jack Antonoff Signature Princess
Yamaha FG820 12 String
Gretsch G5260T Baritone
Gibson Les Paul Studio -
Taylor 214 CE Plus -
Preamps:
Heritage Audio HA81A -
Rupert Neve Designs Newton Channel Strip
Audient ASP800 -
Pedals:
Hologram Chroma Console
Hologram Microcosm
JHS Emperor Chorus
JHS Colour Box V2
Chase Bliss Onward
Chase Bliss Mood Mk2
Auto-Tune Unlimited -
Camera: Sony A7iv
Lens: Sony 24-70mm f2.4
Camera Lights: Aperture Amaran 100Xs
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Timestamps
Intro 0:00
Giveaway 0:48
How Artists Reach Out To Me 1:10
Project Direction and Brief 1:37
The First Artist Demo and Idea 2:44
My Process For The First Draft 4:18
Communication Resolves Confusion 6:07
Doing A Full Instrumental Draft 7:20
Back and Forth With Small Ideas 10:35
Changes For The Second Instrumental Draft 10:53
Really Nailing Down The Vibe Of The Instrumental 12:44
Working With Vocals and Final Production Additions 13:05
Mixing and Final Revisions 14:13
Mix 1 Vs. Final Mix 14:33
The Versions Of This Song 16:38
Delivery 17:30
My Go-To Method For Working Remotely 17:44
Arrangement Of The Session 18:44
First Demo Vs. Final Mix 19:15
Final Thoughts For Producers and Artists 19:58
Outro 20:48