Exploring The Cult & "She Sells Sanctuary" | New British Canon

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Punk changed everything. As well as celebrating DIY ethos and anti-musicality, from 1977 onwards, certain things were just instantly uncool: Hippy values, Long hair, and liking bands like Led Zeppelin, Deep Purple or Bad Company. Doing any one of these things, especially coming from the punk scene, was a treasonous act. At least according to the British music press. And for a surprisingly long time too. So when in the mid-80s, the Cult quickly cycled through punk, goth and psychedelia to become a long-haired hard-partying blues rock band, their desire to live life loud was active rebellion. This is New British Canon and this is the story of “She Sells Sanctuary”.

#thecult #alternativerock #musicdocumentary

Fact-checking by Chad Van Wagner.

00:00 Introduction
00:44 The Southern Death Cult, Death Cult & The Cult
07:58 Creating She Sells Sanctuary
15:24 Love & Electric
23:16 Sonic Temple & Aftermath

Soundtrack
Luar - Citrine ()
Jesse Gallagher - The Golden Present
Luar - Anchor ()

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Sources
“Southern Death Cult: The Last Tribe” Paul Morley, NME, Oct 1982
“Punk Warriors” Richard North, NME, Feb 1983
“Brave Tales From Brighton Rock” David Dorrell, NME, Jun 1983
“The Cult: The Cultivation Of A Better Noise” Cynthia Rose, NME, Oct 1984
“Steve Brown - Producer” Janet Angus, Home & Studio Recording, Aug 1985
“Kick-Starting A Retrosaur” Steven Wells, NME, Apr 1987
“The Cult: All You Need Is Love Rock!” Howard Johnson, Kerrang!, Apr 1987
“The Wit And Wisdom of Ian Astbury” Andy Strickland, Record Mirror, May 1987
“The Cult - Article” David Toop, Spin Magazine, May 1987
“Cult In The Act” Dave Dickson & Ray Palmer, Kerrang!, Dec 1987
“Pretentious? Nous?” Helen Mead, NME, Dec 1987
“Super Sonic!” Howard Johnson, Kerrang!, Mar 1989
“Cult Following” Michael Goldberg, Rolling Stone, Jul 1989
“Where Egos Dare” James Brown, NME, Sep 1989
“Live Review: Cult of Personality” David Galbraith, Kerrang!, Dec 1989
“Taming The American Hordes” Paul Elliott, Sounds, Feb 1990
“Wigwams on Wall Street” James Brown, NME, Aug 1991
“The Cult: Bill and Ian's Excellent Adventure” Steven Wells, NME, Feb 1992
“Blood Brothers” Keith Cameron, Mojo Magazine, Feb 2008
“Love Remembered: The Cult” James Brown, Sabotage Times, Feb 2010
“Still In Love's Embrace” lEIGh5, Digging a Hole, May 2010
“Love Approval Thirteen: Ian Astbury Of The Cult’s Favourite Albums” Julian Marszalek, The Quietus, May 2012
“The Cult’s Ian Astbury talks about songs, ignoring the critics, and “sexual modality”” Will Harris, AV Club, Jun 2012
“The story of Love, or how The Cult divided their fans and defined their career” Dom Lawson, Metal Hammer, Aug 2012
“The Cult: 'We're the Fulham of rock music'” Paul Lester, The Guardian, Aug 2012
“'People started punching the air': how Primal Scream, Ministry, the Cult and Misty Miller reinvented their sound” Dave Simpson, The Guardian, Mar 2016
“The Cult: ‘The 80s was all drink, drugs and handcuffs’” Robert McCallum, Loaded, Mar 2016
“‘Sonic Temple’ at 30: Revisiting The Cult’s Watershed Album” Mick Stringley, Billboard, Apr 2019
“25 of the greatest guitar tones of all time” Total Guitar, Sep 2022
“Every album by The Cult ranked from worst to best” Paul Lester, Classic Rock, Feb 2023
“Why The Cult's Billy Duffy and Ian Astbury aren't scared of summoning the ghosts of their past by resurrecting Death Cult” Paul Travers, Louder, Oct 2023
“Billy Duffy on Ian Astbury and the early days of Death Cult” Dave Everley, Classic Rock, Jan 2024
"The story of The Cult's She Sells Sanctuary” Neil Crossley, Music Radar, Sep 2024
“The Cult Crack America” Pat Gilbert, Mojo Magazine, Dec 2024
“I Wrote That: Billy Duffy on The Cult’s ‘She Sells Sanctuary’” Jim Ottewill, M Magazine, Feb 2025

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