#shorts #cinematic #experimental #electronicmusic
This live Eurorack and Buchla synthesizer improvisation was created to try to combine drum/bass sounds synthesized using Maths as the oscillator with a QPAS filter creating feedback. I'm playing the Buchla Easel Command through a Morphagene and using sound on sound to build up some layers to go along with the main 5 note sequence. This is a very simple patch that sounds complex just by turning a few knobs. Modulation in the drums is created by changing the fall time on the Maths channel 1, which is triggering audio rate sounds from channel 4. I'm using my own version of a Make Noise Tape and Microsound setup, but with Erbeverb and X-Pan instead of the Mimeophon and normal audio output.
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Patch Notes:
Audio outputs from both the Make Noise skiff and the Buchla 208c Easel Command into the audio interface. This is basically DAWless recording, with the computer acting as a tape machine.
Buchla:
Envelope generator to low pass gate of complex oscillator. Complex oscillator is the arpeggio. Pulsar to low pass gate of modulation oscillator
Random voltage to timbre, modulation, and pitch of modulation oscillator
Sequential voltage to pitch of complex oscillator
Eurorack:
0-ctrl sequencing the electronic drum rhythm and feedback sounds.
Maths channel 1 is triggering channel 4 into audio rate via a Make Noise 0-ctrl sequence. Channel 2 is attenuating panning from the Wogglebug to the X-Pan.
Audio to QPAS filter, bandpass feeding back into FM. FM2 from channel 1 of Maths. 0-ctrl sequencer channel 3 to resonance.
Audio to 4ms Tapographic Delay to X-pan to Intellijel Outs.