How to Make Any Kick Drum on a Minimoog | 10cc “I’m Not in Love”

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*ABOUT THIS VIDEO*

Let's explore the iconic kick drum sound from 10cc’s classic 1975 hit, "I’m Not in Love." Join me as I walk you through how to recreate this distinctive kick drum tone using the Minimoog synthesizer. Learn which knobs effect the attack, ring, tone and air so you can quickly edit this synth kick drum sound to make endless synth kick drum sounds from scratch that fit your own songs.
"I’m Not in Love" is renowned for its innovative production and lush, atmospheric soundscapes. The track is famous for its ethereal vocal harmonies and groundbreaking use of tape loops, which helped it achieve its dreamy, otherworldly vibe. The song’s kick drum is a key component of its unique texture, and I’ll show you how to emulate this classic sound with the Minimoog’s analog power.
Dive into this step-by-step tutorial and discover the secrets behind one of 70s rock's most memorable tracks. Subscribe and hit the notification bell icon to stay updated with more in-depth music breakdowns, interviews and synth explorations!



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*ABOUT ANTHONY*

Anthony's musical touch as both composer and performer is connected with some of the most influential creative minds over the last 40 years. He’s composed and conducted original orchestral scores for over 80 feature films including _*Young Guns*_ , _*Internal Affairs*_ , _*The Man From Elysian Fields*_ , _*15 Minutes*_ and _*Planes, Trains & Automobiles*_ , been commissioned by the *Los Angeles Philharmonic* for his symphonic work "In the Family Way", written over one thousand TV commercials in a myriad of musical styles, co-founded Levels Audio Post (LA's premiere post production facility) and performed and arranged on big-box-office films and influential hit records such as *Michael Jackson's* _*Thriller*_ .

His extensive work as a young arranger, orchestrator and performer for *Quincy Jones* , *Jack Nitzsche* , *Lamont Dozier* , *Arthur Rubenstein* and *Giorgio Moroder* was vital in launching his own career. His early years pioneering modular analog synthesizers along with his wide-ranging music scholarship positioned Anthony at the center of the music technology revolution. He attended the University of Southern California School of Music as a piano and composition major.

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