Experience the Benefits Listening To Classical Music At 285Hz

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Experience the Benefits Listening To Classical Music At 285Hz

Classical Music Benefits

Improving memory
Reducing stress
Boosting mental wellbeing
Eliminating causes of depression
Lowering blood pressure
Improving physical movement
Relieving pain
Improving sleep patterns
Improving literacy and numeracy
Boosting immunity

The solfeggio frequency of 285 Hz has traditionally been associated with healing of the root chakra. Use this tone for its following healing properties:

Heals and restores tissues. 285 Hz can be useful for healing cuts, burns and lacerations.
Because of its association with the root chakra, this tone can enhance feelings of security and safety.
Enhances the immune system.

The Science Behind Solfeggio Frequencies

The rediscovery of the ancient solfeggio frequencies set in motion a journey of exploration into the field of sound therapy. In the 1980s, biochemist Dr. Glen Reins conducted further research on sound frequencies, looking into the effect of sound waves on the human body.

Reins discovered that while some music types heal DNA, others harm it, proving the theory that sound frequencies have serious consequences for health and general wellness.

Particular sound patterns, including solfeggio frequencies, interact with your brain to generate vibrations in your body. The vibrations can have positive mental, emotional, and physical effects, which may result in a state of calm, relaxation, stress relief, and even better sleep

Music - Josef Suk, Serenade, Op 6 - A Far Cry

Josef Suk (4 January 1874 – 29 May 1935) was a Czech composer and violinist. He studied under Antonín Dvořák, whose daughter he married.[1]

Biography
From a young age, Josef Suk (born in Křečovice, Bohemia) was deeply involved and well trained in music. He learned organ, violin, and piano from his father, Josef Suk Sr., and was trained further in violin by the Czech violinist Antonín Bennewitz. His theory studies were conducted with several other composers including Josef Bohuslav Foerster, Karel Knittl, and Karel Stecker. He later focused his writing on chamber works under the teachings of Hanuš Wihan.[2] Despite extensive musical training, his musical skill was often said to be largely inherited.[3] Though he continued his lessons with Wihan another year after the completion of his schooling, Suk's greatest inspiration came from another of his teachers, Czech composer Antonín Dvořák.[4]