Seth Rosenbloom - Gambler's Blues

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Album: Seth Rosenbloom - B.B. King Cover; Lyrics:
I don't know what love is
But I think I must have it bad
Yeah, you know I don't know what love is people
Woah, but I think I must have it bad
Yeah, you know some people say love is just a gamble
But whatever it is, it's enough to drive old B. mad
They say love is just a proposition people
It's strictly a game of give and take
Yeah, they tell me love, love, love is a proposition people
They say it's strictly a game of give and take
Woah, but my woman took all I gave her
And I'm here to tell to you that love proposition stuff's a fake
Oh, I don't claim to be no gambler people
Oh, I don't know much about the dice
Yes, I don't claim to be no gambler people
I tell you I don't know much about the dice
Oh, but I wait and my baby knows
She knows I'm not the kind that's gonna crap out twice
Yes, she left me early this mornin'
I don't know the reason why
She just got up early this mornin'
Didn't even say goodbye
But I love you, I love you, you know I love you, baby
Although you made me cry
Yes, there are a lot of women who want me
Oh, but how you satisfy?

“For me, playing the blues is all about expressing emotions,” guitarist and vocalist Seth Rosenbloom insists. “What’s always drawn me to the genre is the fact that it allows for an extraordinarily wide range of emotion. That, I think, is the key to making great music overall, and great blues in particular.”

Rosenbloom knows of what he speaks. Hailed by The Boston Globe as “a searing blues-rock guitarist,” and The Noise Boston as a musician who “makes his guitar growl and has a voice to match,” he’s been compared to “a slightly younger and rawer version of Matt Schofield ,” by the Blues PowR blog, which also praised him for “his gravelly, forceful vocals and stinging guitar work.”

Those assessments were affirmed this past year, when Rosenbloom made his bow with his debut self-titled EP. Now, with the release of his first full length effort, Keep On Turning (January 18, 2019), he shows again why he has been referred to as the future of blues guitar. An assertive and authoritative artist and auteur, he demonstrates confidence and credence with a set of songs that sounds every bit like a new set of standards. He executes the material in ways that are both riveting and embracing, with his dynamic delivery ensuring an emphatic impression.


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