🇫🇷 Bien qu’elles participent de la fabrique de l’habitat urbain, les formes de vie non-humaines sont rarement vues comme disposant d’une « voix ». Comment entrer en dialogue avec elles pour transformer nos processus d’urbanisation ? À l’écoute de la vie non-humaine, troisième édition du colloque annuel de Theatrum Mundi et de l’EHESS intitulé Réaliser un urbanisme sonique, s’intéressera moins aux paysages sonores produits par ces formes de vie qu’à la façon dont le design et la recherche peuvent, par des méthodologies acoustiques, aider à comprendre et à stimuler la cohabitation interespèces dans l’espace urbain.
🇬🇧 Attention is turning more and more to urban sound as a material to design with, as a site of conflict, as a medium through which to understand the urban environment, and so on. Crafting a sonic urbanism seeks to look beyond the soundscape as an object and bring together research and creative practice that reveals how sonic concerns and methods could shed new light on political, cultural, and social formations in the city.
For the 2nd year we are collaborating with the Institut de recherche interdisciplinaire sur des enjeux sociaux (IRIS, EHESS) to ask how a focus on sound can open up new questions within city-making, and new ways of addressing those questions. Looking beyond soundscape itself as a product of urban life, we aim to map out contemporary practices that think through sonic concerns to reveal other urban phenomena, and work through sonic methodologies to intervene in them.
Programme détaillé / Detailed program :
00:00:00 - 00:25:00 : Discours de bienvenue et introduction / Welcome and opening remarks
John Bingham-Hall, Director, Theatrum Mundi
Arnaud Esquerre, Director, IRIS (EHESS)
00:25:01 - 01:58:08 : NON-HUMAN VOICES
Nuno da Luz, Artist
→ Echopolitics for interspecies resistance
Ahmed bin Shabib, Rashid bin Shabib
→ Magnetic Reception
Sepideh Karami & Elahe Karimnia
ESALA, Edinburgh School of Architecture & Landscape Architecture & Theatrum Mundi
→ When Parrots of Tehran Confess
Modéré par / Chaired by : Lou-Atessa Marcellin
01:58:09 - 03:02:30 : LIVELY MATERIALITY
Matt Parker, Oxford Brookes University
→ Radiant infrastructure: vibrational tools for communities of electromagnetic resistance
Juan-Guillermo Dumay & Ruth Oldham
→ Listening to transformer substations: Background noise, fiction, and music
Ms Tsouknida Eirini, Dr Tasos Varoudis, Mr Roberto Botazzi
→ Curvilinear Soundscapes
Modéré par / Chaired by : Arnaud Esquerre
03:02:31 - 04:41:19 : BRIDGING WORLDS
Nicola Di Croce, Università Iuav di Venezia
→ Towards a multi-species sonic ecology
Melissa Van Drie, University of Copenhagen / nxt
→ How ‘singing’ bees draw urban humans into an everyday world of interspecies communication
Gascia Ouzounian, University of Oxford
→The Sonic rewilding of cities: Listening after Lockdown
Modéré par / Chaired by : Justinien Tribillon
04:41:20 - 06:26:32 : DISCUSSION : A trans-species urban society?
Sara Rodrigues, Artist
Nastassja Simensky, Slade, UCL
Maria Dominguez, Anjali Nair, Hannah Rose Fox, Miriam Young
Parsons School of Design
Natasha Nicholson
SWCTN and charlick+nicholson architects
Modéré par / Chaired by : John Bingham-Hall
17h45 - 18h00 — Conclusion
18h15 - 19h30 — PERFORMANCES
- Sunnyside, Matilde Meireles (University of Oxford)
- Radio gardening in Lagos, Seetal Solanki, Monai de Paula Antunes, Plant Wave, Streetlights collective, Tushar Hathiramani, Niko de Paula Lefort
Modéré par / Chaired by : Gascia Ouzounian
Follow the final performances here / Suivre les performances de clôture :
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