Featured Pedals: Acapulco Gold Clone, EQD Life Pedal Clone (Parentheses Fuzz), Behringer Superfuzz (Boss FZ-2 Hyper Fuzz copy), Proco RAT 2.
There is no right way or "how to" stack pedals because it's all so subjective. I made this video to share what tones I personally prefer when using the SF 300.
The Behringer SuperFuzz SF-300 is the last pedal in the signal chain and is running into a clean amp. I dialed in the settings so that most of the dirt pedals sound full and the tone isn't too compressed and the low-end isn't lost. These are the settings that I have found useful for both recording and just jamming.
Signal Chain, and pedals used:
- Harley Benton DC Kit (SG copy) Wilkinson Alnico 5 Bridge, Gibson 490R Neck, Gibson electronics and hardware. (Drop A tuning, 56 gauge, wound G string)
- Proco RAT 2
- Acapulco Gold Clone (DIY Musikding Kit)
- Parenthesis Fuzz (EQD Life Pedal Clone)
(The Boost part of the Life Pedal is modeled after the EQD Black Eye clean boost, which is a clean Mosfet 30 dB boost. The boost comes after the Whiteface RAT circuit. Any clean boost pedal would work here)
- Behringer Super Fuzz SF-300
- Boss Katana 50 MK1 (Head)
- Eminence Swamp Thang 1x12 Cab
- Recorded Close Mic With Shure SM57
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