HATEFUL (Italy) - Set Forever On Me FULL ALBUM STREAM (Technical Death Metal) Transcending Obscurity

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Taken from the album titled 'Set Forever On Me' on Transcending Obscurity Records.

00:00 - ON THE BRINK OF THE RAVINE
03:31 - OXYGEN CATASTROPHE
06:28 - PHOSPHENES
09:28 - THE IRRETRIEVABLE DISSOLUTION PROCESS ON THE SHORES OF TIME
13:30 - WILL CRUSHING
16:17 - CALDERA
19:14 - TIME FLOWS INDIFFERENT
22:48 - OUR GOLD SHINED IN VAIN
28:46 - THE NIHIL TRUTH
31:26 - RIVER'S BREATH
35:31 - THE PROOF

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Italian death metal masters HATEFUL have created a mind-bending album of epic proportions. They've constructed dizzying structures by piling riffs and drum patterns atop one another with delirious fervour and surgical precision. It includes elements of the early technical death metal bands like ATHEIST, GORGUTS, DISINCARNATE and DEATH, powerful brutal coagulants such as SUFFOCATION and DEEDS OF FLESH, and even the kinetic, ever-changing properties of bands like SPAWN OF POSSESSION and NECROPHAGIST. There's just so much to unravel as a listener and it's a rare treat, for HATEFUL take their time fleshing out the parts and seeing to their fulfillment, rather than rushing blindly through it all without making any rhythmic sense or retaining a semblance of coherence. This is a thinking man's death metal where the core sound isn't mutated abnormally nor is the brutality mitigated and yet it incorporates intricate, highly challenging structures, IMMOLATION-esque complexity and dissonance, and exhibits maddening dexterity and endless album replay value. Seven years in the making, Hateful's hugely awaited album complements contemporary death metal label mates in DEPRAVITY, ATRÆ BILIS, SEPULCHRAL CURSE and CUTTERRED FLESH and even technical death metal champions CHAOS MOTION, CEREBRUM, COEXISTENCE and THE SCALAR PROCESS.

Line up -
Daniele Lupidi (VALGRIND, VOIDS OF VOMIT) - Bass, Vocals and Rhythm Guitars
Massimo Vezzani (VOIDS OF VOMIT) - Lead and Rhythm Guitars
Marcello Malagoli (BLOOD OF SEKLUSION) - Drums and Vocals

Artwork by Daniele Lupidi