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My Gear:
DAW: Cubase 11 Pro
Desk: AZ Studio Workstations
Main Microphone: Lewitt LCT1040
Monitors: Focal Shape 65s with Focal Sub6
Interface: UAD Apollo Twin USB
MIDI Keyboard: M-Audio Code 61
Keyboards: Roland Juno DS88, Roland Juno 106, Arturia PolyBrute
Guitars: Fender American Professional Stratocaster, Gibson Les Paul Studio, Taylor 214 CE Plus
Preamps: Heritage Audio HA81A & Audient ASP800
Microphones: Advanced Audio 251, Slate ML-1, Shure SM7B, JZ BH-1, JZ V67, Lauten Audio LA-320, Lauten Audio LA-220, Lauten Audio LA-120, AKG P170, Sterling ST59
Camera: Panasonic G7
Lens: Rokinon 12mm f2
Camera Lights: Neewer LED Light Panels
Timestamps:
Preview 0:00
Intro 0:16
Announcement 1:03
Writing a Synth Melody and Progression 1:51
Layered Verse Synth 2:50
Adding A Bass Pad 3:52
How to Pick The Right Drum Sounds 4:36
How to Program Charlie Puth Drums 5:16
Adding Filters To Make The Verse Dynamic 5:36
Verse Synth Layers 5:57
Underwater Keys 7:29
Verse Drum Layers 8:13
Adding a Bassline 9:34
Adding Movement With Synths and Hats 10:11
Verse Guitars 11:28
Charlie Be Quiet Drop Out Idea 12:18
Pre-Chorus Drums and Bass 12:40
Pre-Chorus Distortion Elements 13:11
Volume Automation 14:54
Chorus Drums and Perc Additions 15:12
Chorus Bass 16:21
Chorus Synths 16:58
Chorus Guitars 17:28
Vocal Layering and Arrangement 18:30
Lead Vocal Mixing 18:46
Vocal Delay Throw 20:05
Vocal Layers and Production 20:38
Pre-Chorus Vocal Mix 22:05
Why Mic Selection Matters 23:00
Big Chorus Vocals 24:08
Full Play Through 25:28
Outro 27:20