Curious about filming in LOG format? As a UK videographer specializing in corporate videography, I’ve chosen a workflow that prioritizes efficiency and quality without the massive file sizes and extensive cinematic color correction often associated with log footage. In this video, I’ll explain why I avoid log format and instead rely on picture profile 11 for my Sony FX3 and Sony FX30 cameras 🎥 🖼️👉 While the Sony FX3 is on the list of Netflix-approved equipment, the challenge of managing large files and the needs of my clients has led me to prefer this streamlined approach. Shooting in 4K video at 25fps with 4:2:2 10-bit color depth, I find this setup ideal for delivering high-quality footage suited to corporate videography without the hassle of log processing.
Join me as I share videographer's tips on balancing video quality and resolution with a workflow that ensures a seamless experience for my clients. Whether you're comparing log format vs. picture profile or exploring camera settings for videographers, I’ll break down how to make the best choice for your projects ✅ 😉
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