
Reid was born in Kingston, Jamaica, and had a tough upbringing in the city's Waterhouse district, notorious for being one of the most dangerous places in Jamaica. It was there in the politically turbulent late '70s that he recorded his first-ever single "Speak the Truth" at the age of 13 for the late Hugh Mundell, released in Jamaica on Augustus Pablo's Rockers International label, and popular as an import single in the United Kingdom. He followed this with "Know Myself" in 1981. He then went on to form his own band, the Voice of Progress, and after a local hit with "Mini-Bus Driver" the group scored local success with an album of the same name.
By the early '80s, commissioned by the great Sugar Minott to record a number of tunes on Minott's Youth Promotion label, enjoying considerable popularity with tracks such as "Human Nature" (produced by Junior Reid), "A1 Lover" (produced by Sugar Minott), and the evergreen "Foreign Mind", an uplifting and proud statement which became an anthem to the ghetto youth whom Reid increasingly championed. Junior Reid transferred his talents to King Jammy's studio on St. Lucia Road where his fast-growing success rose yet another notch. "Boom Shacka Lacka" was his first UK hit and led to another exceptional album. After a number of fine singles – which included "Youthman", "Bank Clerk", "Sufferation", "Give Thanks and Praises" and "Higgler Move". Reid then launched his label "Jr Productions" with his first single "Settle Down" by Barrington Levy.
In 1986, Reid's opportunity to reach a wider international audience came after he was offered a role as Black Uhuru's lead singer, following the departure of Michael Rose. Three of the singles he released with Black Uhuru, "Pain", "Nah Get Rich and Switch", and "Let us Pray" were published on Junior Reid's JR Productions label. His collaboration on the first album with Black Uhuru, the Grammy-nominated Brutal, in 1986, was well received. During this time, he toured Europe, the UK, the USA, Canada and Bermuda with Black Uhuru.
Two years and three albums later, Reid departed Black Uhuru for a combination of reasons: Junior had been unable to establish his own identity in the band, having a style very close to Michael Rose’s (a long time contributor to Black Uhuru); the group compositionally suffering difficulties and personal crises. Additionally, Reid was interest to produce his own material, with a desire to regain his domestic popularity, to go solo and into his own studio (One Blood Recording Studio), as well as focusing on his own JR Productions label. During this period, Reid had a 1988 UK number 21 hit with the single "Stop This Crazy Thing", a collaboration with Coldcut. In 1990, he had even more success with "I'm Free", recorded with The Soup Dragons. The song reached number 5 in the UK.
Meanwhile, 1989's "One Blood" saw him re-established at the forefront of the reggae scene. "One Blood" became an anthem for unity in America and around the world. According to Rolling Stone magazine (7 May 2013), the lyrics of "One Blood" were the source of the album title for Vampire Weekend's third release, Modern Vampires of the City.
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