Over the past few weeks, I've been completely obsessed with Edgar Wright's Baby Driver. Looking online, I'm not alone. And its great that his original gem is getting so much love but if it wasn't have Wright parting ways with Marvel this may not have happened.But Wright isn't the only director who have been fired from a Disney project: Enter Phil Lord and Christopher Miller. What makes them so vital? Why was 21 Jump Street's comedy so great?
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