The Secret To HUGE Sounding Productions (spoiler alert: it's layering...)

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In this video, Austin goes over how to layer, when to layer, and why to layer different sounds and elements of your productions.

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DAW: Cubase 13 Pro -

Monitors: ATC SCM25 Mk 2 -

Subwoofer: Dynaudio 18S -

Interface: RME UFX ii -

Interface Controller: RME ARC-USB -

Desk: AZ Studio Workstations -

Main Microphone: Lauten Audio LT-386 Eden -

Other Microphones:
Lewitt LCT1040 -
Lauten Audio LA-320 -
Lauten Audio LA-220 -
Lauten Audio LA-120 -
Slate ML-1 -
Shure SM7B -
Advanced Audio 251 -
JZ BH-2 -
JZ V11 -

Voiceover Mic: Lauten LS-208 -

Compressor: AudioScape 76D -

MIDI Keyboard: M-Audio Code 61 (Discontinued)

Keyboards:
Arturia Polybrute -
Roland Juno DS88 -
Roland Juno 106 (Vintage)

Guitars:
Fender American Professional Stratocaster -
Gibson Les Paul Studio -
Taylor 214 CE Plus -

Preamps:
Heritage Audio HA81A -
Audient ASP800 -

Auto-Tune Unlimited -

Camera: Sony A7iv

Lens: Sony 24-70mm f2.4

Camera Lights: Aperture Amaran 100Xs

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Timestamps:
Intro 0:00
The Basic Song We're Starting With 1:09
Layering The Main Synth 1:52
What Is The Goal When You're Layering 2:20
Finding An Appropriate Layer 3:18
Controlling Stereo Width On Layers 4:40
Adding A Layer To Add Length and Sustain 5:58
How To Layer A Lead Synth 8:12
Adding A High Pedal Pad 12:52
Adding Left and Right Layers For Width 14:30
Layering Drums and Percussion 15:40
Bouncing Layers As A Stem 16:20
Using Layers To Build A Structure and Arrangement 17:00
Outro 18:17