The Paul Delay Band - Can't Stand Your Evil Ways

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Album: The Last Of The Best | Official Website: | Lyrics:
Lord knows I love you, baby. I can't stand your evil ways.
Oh Lord, you know, I love you, baby. Can't stand your evil ways.
I'm gonna leave in the morning now, baby, cause I don't see how I can stay

Well you've got a bad evil, mama, too evil to say your prayers.
Well you've got a bad evil, mama, too evil to say your prayers.
And when it comes down to lovin', oh baby, I declare your love ain't there.

Now look it here, baby, I just found out we've been together too long, too long.
Oh baby, I just found out we've been together too long. Oh mercy, baby!
You better change your ways little darling, oh yes, or your daddy will be gone.

Let's get together now, baby, divide what little money we got, oh yeah.
Let's get together now, baby well, divide what little money we have.
I'm gonna leave in the morning now, you can believe it or not.

DeLay was born January 31, 1952, in Portland, OR, but raised in the Ardenwald neighborhood of Milwaukee, in a musically inclined family. After hearing Paul Butterfield play "Good Morning Little Schoolgirl," he became hooked on blues harmonica by age eight. He took his inspiration from Big Walter "Shakey" Horton and Little Walter Jacobs, and later, George "Harmonica" Smith and Charlie Musselwhite. DeLay took lessons on piano and tried to teach himself guitar and drums, but he found his true calling when he picked up the harmonica. He began playing along with records at first, and later formed a jug band in the 1960s.

DeLay led a band called Brown Sugar, which played in Portland-area clubs for most of the 1970s, and then began leading a band under his own name in 1978. DeLay toured with Chicago piano player Sunnyland Slim and guitarist Hubert Sumlin for a few months that same year. When he got off the road, he concentrated his efforts on developing his own sound while leading his own band. He began writing his own songs in 1980, and by that point he was already a veteran of the bandstand. DeLay knew he didn't want to write standard blues songs, and to this day he avoids clichéd lyrical themes.

The Paul deLay Band recorded four independent albums on their own label by 1988: Teasin', American Voodoo, The Paul deLay Band, and Burnin'. The band toured constantly, and deLay's alcoholism turned into a major problem. When he finally quit drinking, he slowly began using cocaine instead, which he was busted for dealing. While spending three years in prison, deLay wrote a huge number of original songs and put his boozing and cocaine-snorting habits behind him for good. When he came out of prison in 1995, deLay made up for his lost time, and the results can be heard on several fine albums. Most notable are two recent albums for Evidence, Take It from the Turnaround (1996), an album that combines two independent releases he recorded locally in Portland for Criminal Records, and his more recent Ocean of Tears (1997). Both albums are fine examples of deLay's unique gift for telling a story and his natural sense of humor and wittiness, as well as great singing and harmonica playing. Both also showcase excellent backing bands. That's why deLay's reputation has spread out from his home base in Oregon to envelop the rest of the country, as well as parts of Canada and Europe.

Copyright © – Criminal Records

Bass – Dave Kahl
Drums – Jeff Minnick
Guitar – Peter Dammann
Vocals, Harmonica – Paul DeLay
Vocals, Piano – David Vest

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