From classic detroit electro to experimental breakbeat in a new specially compiled mix from Megavo. Enjoy this journey -)
Visuals:
The Color of Pomegranates (1969) by Sergei Parajanov
One of the greatest masterpieces of cinema, Sergei Parajanov‘s The Color of Pomegranates, inventively reveals the life of the 18th century Armenian troubadour Sayat Nova (King of Song) through his poetry and his inner world instead of a conventional narrative. We see the poet grow up, fall in love, enter a monastery and die, but these events are depicted through images of how Paradjanov’s imagination perceived Sayat Nova’s poems, poems that are seen and rarely heard. Void of dialogue and camera movement this is indeed a revolutionary work of the seventh art.
Ashik Kerib (1988) is Sergei Parajanov‘s last completed film (followed by his unfinished film The Confession which survives as Parajanov: The Last Spring). Ashik Kerib is based on an Azeri love story, a fairy tale by Paradjanov’s favorite Russian poet Mikhail Lermontov. Ashik Kerib was selected by Venice Film Festival, New York Film Festival, and won the European Film Academy Award (Felix). Ashik Kerib is dedicated to Andrei Tarkovsky.
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