Italian tarantella from Napoli played by the Italian mandolin Maestro Antonio Calsolaro and Fabio Moschettini (Guitar), traditional folk music of Napoli and Italian culture, the Mandolin music was introduce, during the 18th century, in the "Italian Barbers Saloon". The Maestro Calsolaro give us this dancing Tarantella music to his world friends.
ANTONIO CALSOLARO AND TARANTELLA
Antonio Calsolaro was born in Alessano in the Italian province of Lecce, Salento, in this region the bite of a locally common type of wolf spider, named "tarantula" after the region, was popularly believed to be highly venomous and to lead to a hysterical condition known as tarantism. This (type of dance) became known as the "tarantella". R. Lowe Thompson proposed that the dance is a survival from a "Dianic or Dionysiac cult", driven underground. John Compton later proposed that the Roman Senate had suppressed these ancient Bacchanalian rites. In 186 BC the tarantella went underground, reappearing under the guise of emergency therapy for bite victims.
ITALIAN TARANTELLA MUSIC - Traditional Tarantella of Italy
Tarantella music is a folk dance music characterized by a fast upbeat tempo, usually in 6/8 time (sometimes 18/8 or 4/4), accompanied by tambourines (tamburello) and mandolin. It is among the most recognized of traditional Italian music, it names change according to the varies Italian region, Tammuriata in Campania (Naples - Napoli), Pizzica Pizzica in Lecce - Salento region, Sonu a ballu in Calabria. Tarantella is popular in Southern Italy and one of the symbols of the Italian culture in the world.
In the Salento's region of Italy the bite of a locally common type of spider called "tarantula" was popularly believed to be highly poisonous and to lead to a hysterical condition known as Tarantism. The stated belief in the 16th and 17th centuries were that the victims needed to engage in a frenzied dance to prevent death of the disease using very rhythmic music, this kind of music was known Tarantella.
ITALIAN MANDOLIN Mandolins evolved from the lute family in Italy during the seventeenth and eighteenth centuries, and the deep bowled mandolin produced particularly in Naples became a common type in the nineteenth century. The original instrument was the mandore which evolved in the fourteenth century from the lute. The first evidence of modern steel-strung mandolins is from literature regarding popular Italian players who traveled through Europe teaching and giving concerts. Notable is Signor Leone and G. B. Gervasio who traveled widely between 1750 and 1810. This, with the records gleaned from the Italian Vinaccia family of luthiers in Naples, Italy, lead some musicologists to believe that the modern steel-strung mandolin was developed in Naples by the Vinaccia family. Gennaro Vinaccia was active circa 1710 to circa 1788, and Antonio Vinaccia was active circa 1734 to circa 1796. An early extant example of a mandolin is one built by Antonio Vinaccia in 1772 which resides at the Victoria and Albert Museum in London, England. Another is by Giuseppe Vinaccia built in 1763, residing at the Kenneth G. Fiske Museum of Musical Instruments in Claremont, California. The earliest extant mandolin was built in 1744 by Gaetano Vinaccia. It resides in the Conservatoire Royal de Musique in Brussels, Belgium