Wayne Jarrett (born 1956) is a reggae recording artist born in Kingston, Jamaica, and raised in Allman Town, Jamaica. He currently resides in the US in Hartford, Connecticut.
Wayne Jarrett was born in 1956 in Kingston, Jamaica, one of seven children. He was raised as a Rastafarian and grew up in Rachford Park, Allman Town. As a child, he was friends with fellow reggae singer Horace Andy.
Jarrett's voice caught the attention of his high-school teacher, who persuaded him to join the school choir. In 1973, he moved to Hartford, Connecticut, with his parents. His mother had wanted him to move out of Kingston so he did not get involved with the wrong crowd. Jarrett got a part-time job while attending school and used his earnings to buy a turntable, amplifier and microphone.
However, the reggae scene in Connecticut at the time was in its infancy and most people preferred to listen to Blues in social situations.[citation needed] Jarrett performed at a West Indian social club and tried to become one of the first reggae artists to make it from Connecticut. A friend by the name of "Belltone", who operated a local record store, took him to New York City to record some tracks. It was there Jarrett met Lloyd Barnes, who produced his first studio recording, "African Woman". Jarrett then returned to Jamaica to record his second track, "Satta Dread" (the dub mix of which was later released on a King Tubby compilation). After recording the track, Jarrett went to Idler's Corner[clarification needed], in Chancery Lane, to try to find a producer and officially get signed to a label.
While at Chancery Lane he met Jah Stitch, who at that time was not involved in the record industry. Later on, Jarrett recorded with Dynamic Studios. Jarrett left the label shortly after.
Lester Bullock (born 25 June 1953), better known by the stage name Dillinger, is a Jamaican reggae artist. He was part of the second wave of deejay toasters who rose to prominence during the mid-1970s.
Born in Kingston, Jamaica, as a young man Dillinger would hang around Dennis Alcapone's El Paso sound system. This exposure would eventually lead to work in 1971, as a deejay on the Prince Jackie and El Paso sound systems, initially influenced by Big Youth, U Roy, and Dennis Alcapone, and performing as "Dennis Alcapone Jr." The first record producer he worked with was Lee "Scratch" Perry, who decided that Bullock should change his name to Dillinger, after gangster John Dillinger. Perry produced his first recording session, from which "Dub Organizer" was released as a single. Several other Perry-produced singles followed, but with limited success.
In 1974, he recorded "Freshly" for Yabby You, which brought him his first hit, and 1975 saw a slew of releases with a variety of producers including Augustus Pablo ("Brace a Boy"), Joseph Hoo Kim ("CB 200"), Winston Holness ("Flat Foot Hustling"), and Coxsone Dodd ("Killer Man Jaro").
Albums for Dodd (Ready Natty Dreadie) and Hoo Kim (CB 200) would soon follow. His hit "Cocaine in My Brain", produced by Hoo Kim (which relied heavily on "Do It Any Way You Wanna" by the People's Choice) was hugely popular internationally, and was a number-one hit in the Netherlands.[4] Dillinger spent a lot of time in England during the heyday of punk rock, and in 1978, along with Leroy Smart and Delroy Wilson, was referenced by lyricist Joe Strummer in The Clash's track, "(White Man) In Hammersmith Palais".
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