Jo Christy | House Techno UKG Live | Tilt Shift Tuesday 12th Nov 2024

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Jo Christy | House Techno UKG Live | Tilt Shift Tuesday 12th Nov 2024

Jo Christy first treated audiences in Naarm to her delectable tracks in 2017, later gaining a following in Eora, where she became one of the very few trans DJs on the Sydney club circuit at the time.

Jo runs queer parties (Transenergy and Work Wife) with a focus on tasteful and fun music played by local legends and international headliners alike. Her own sound is an uplifting blend of house, techno, hardgroove, UKG and progressive house and trance, with her love of diverse genres showing through in nuanced and expressive mixes.

Jo is inspired by the trans and queer DJs she plays alongside, and wants her music to contribute to creating spaces for her community to connect and share in the club scene and beyond. Her style has earned her support for international artists such as Seth Troxler, Known Artist, Eris Drew & Octo Octa and THC, also recently entering the festival circuit with a debut main stage set at Strawberry Fields in 2023.

With her mesmerising production talents, live hardware sets, and undeniable stage presence, Jo Christy brings an alluring energy to queer events and underground clubs. As Jo continues to move through the music scene, she imbues it with both the deep feeling of her tracks and her staunch values of what music can and should be.

Instagram: @ohjochristy
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@TiltShiftMelbourne is an Event Brand Managed and Curated by Melbourne Artist @stockholmsyndromeau

Tilt Shift sits firmly left of center, a difficult-to-label square peg that unintentionally fails to fit a pigeonhole. Borrowing from the photography term, Tilt Shift refers to two different types of movement, a selective focus with a large depth of field used to control perception. This can be applied to our music policy, tilting the vertical axis resulting in a sharp area of focus without reducing the depth of field. This movement is often used to avoid the convergence of parallel lines, or as we have come to think of it, it’s where the lines blur.

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