Stevie Wonder’s REAL Superstition Bass | Minimoog vs Moog IIIc

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*ABOUT THIS VIDEO*
Join me for a deep dive into the iconic sound of Stevie Wonder’s legendary hit “Superstition. ”I’m thrilled to show you how to recreate that unforgettable synth bass sound using the my 1969 "Plantasia" Moog IIIc —a close cousin to the synth Stevie used in the studio!
But here’s the twist: Contrary to popular belief, Stevie didn’t use a Minimoog for this track which is verified in this video by the album’s producer, Robert Margouleff, the real magic happened at T.O.N.T.O. (The Original New Timbral Orchestra), which is the groundbreaking modular synthesizer created by Malcolm Cecil and Robert, which means we went straight to the source!
So, if you’ve ever wanted to know how to harness that funky, gritty bass that defined a generation, stick around. I’ll break down the sound step-by-step, sharing tips and tricks that will elevate your production game. 
Just for fun, I'll even show you how to do it on the Minimoog so you can hear the difference. Let’s get started and bring some of that Stevie magic into your music!_________________________________
*ABOUT ANTHONY*

Anthony's musical touch as both composer and performer is connected with some of the most influential creative minds over the last 40 years. He’s composed and conducted original orchestral scores for over 80 feature films including _*Young Guns*_ , _*Internal Affairs*_ , _*The Man From Elysian Fields*_ , _*15 Minutes*_ and _*Planes, Trains & Automobiles*_ , been commissioned by the *Los Angeles Philharmonic* for his symphonic work "In the Family Way", written over one thousand TV commercials in a myriad of musical styles, co-founded Levels Audio Post (LA's premiere post production facility) and performed and arranged on big-box-office films and influential hit records such as *Michael Jackson's* _*Thriller*_ .

His extensive work as a young arranger, orchestrator and performer for *Quincy Jones* , *Jack Nitzsche* , *Lamont Dozier* , *Arthur Rubenstein* and *Giorgio Moroder* was vital in launching his own career. His early years pioneering modular analog synthesizers along with his wide-ranging music scholarship positioned Anthony at the center of the music technology revolution. He attended the University of Southern California School of Music as a piano and composition major.

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