Jazz Dispensary's Top Shelf Triple Groove feat. Idris Muhammad, Jack DeJohnette & Leon Spencer

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Coming this summer from Jazz Dispensary's Top Shelf series... a triple groove of sensational reissues!

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Black Rhythm Revolution! Is the first solo album from the jazz-funk legend Idris Muhammad, a New Orleans-bred rhythm king who successfully made the leap from the finest soulful jazz records of the ’60s to the nastiest fusion funk of the ’70s. Here we catch him literally on the cusp of the two in 1970, with one good foot in the get-down of “Express Yourself” and “Super Bad,” and the other in his own heady excursions into modal rhythm and melody, accompanied by virtuosos Kenny Barron, Ron Carter, Melvin Sparks, who came together for sessions overseen by legendary producer Rudy Van Gelder.

Sorcery finds Jack DeJohnette teamed up with a tight crew of virtuosic bandmates, including veterans of Miles Davis’s Bitches Brew sessions (bassist Dave Holland) and Herbie Hancock’s Headhunters band (Bennie Maupin). Discursive, meditative, trippy but grounded in tasty grooves (the deep digger drum break “Epilog”) and laced with flurries of Hendrix-on-jazz-steroids guitar from 6-string heroes John Abercrombie and Mick Goodrick plus the ahead-of-its-time electronic processing of DeJohnette, this band would never be mistakenly filed under Smooth Jazz.

The very definition of ‘70s soulful jazz, Leon Spencer's Where I’m Coming From has all the hallmarks of Prestige Records at its finest, with an all-star cast of sidemen (The legendary Idris Muhammad! Hello to Madlib’s uncle, Jon Faddis! Greetings to the funky flute of Hubert Laws!) recorded at Van Gelder’s studio and packed with down and dirty grooves top to bottom. From the opening cover of Stevie Wonder’s “Superstition” through to the low-slung original headnodder “Where I’m Coming From,” with stops along the way for dips into the catalogs of Curtis Mayfield (“Give Me Your Love”), Marvin Gaye (“Trouble Man”) and the Four Tops (“Keeper Of The Castle”), Leon’s rippling organ lines sear this prime example of groove jazz.

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