MAUK TENIEB - SpineCam 4, Burroughs Illbient [Stal + L'Explosion mortelle (Altar) - Live Mix 108]

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Artist: MAUK TENIEB
Release Year: 2023
Country: France
Label: Korhogo Rec
Genres: Mantra / Ritual Jazz in Interzone, Burroughs Illbient, Industrialistan IDM, Damaged / Worried Electronica

[vvv] COMPLETE DESCRIPTION BELOW [vvv]

DISCOGS:
BANDCAMP:
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TRACKLIST

01. Stal - 00:00 - 05:45
02. L'Explosion mortelle (Altar) - Live Mix 108 - 05:46 - 12:58
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WEBSITE & BIOGRAPHY:
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INSTAGRAM:
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HD ALBUMS: (100% DOWNLOAD)

FRIENDS: ,

ACKNOWLEDGEMENTS:
JASON M ALLEN,
LE DESSOUS DES IMAGES,
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Burroughs Illbient​​ at its rawest!

(c) Mauk Tenieb - Korhogo Rec, 2023

This complete narrative arc merges music, of course, also photographs and video storytelling. The fact is I wrote about it. In (yes) my diary. In a nutshell: my main concern, in art, has always been potential stories, i.e. the impact. Odysseus trips, initiations, transformations, existentialist maieutics, plus ability to transcript, sensitively, the electricity that nurtures our cells, especially the spirit-related ones: neurons. Thanks to a daily probe which is also a nervous prosthesis, i.e. the smartphone. Nowadays augmented with various AIs. "Mantra / Ritual Jazz In Interzone, Burroughs Illbient, Industrialistani IDM and Damaged / Worried Electronica" could be a semantic and existential (experiential) geography where collages, layers, grain, the effect of time and matter could remind us that the real is real. A poetic way. Since poetry has always to deal with real. (Otherwise it would be craziness. Or sophistic attitude. Or crappy art bourgeois.) So what? Rick Deckard, Ulysses, Pier Paolo Pasolini (see Ernest Pignon-Ernest), his underrated yet heroic Œdipus, Dante, maybe Ligeti György, who knows? Major Fatal, etc. All of them, or just the soul of them, as archetypical, could walk in a rope bridge listening to this kind of music above a gigantic industrial facility in India or Pakistan. Why? Because.

Greetings to Jonas, and 'Origami Repetika' Adam from MadWaspRadio,

Music inspirations, as always: Scorn (every pionner in it...), Skiz Fernando too, John Zorn and of course Mike Patton, plus all Ipecac Recordings, fellas from Sleepytime Gorilla Museum and all the related projects. Also Muslimgauze. Oh, and French wonderful bands: Magma, Kourgane, etc.