In this video, we talk about mix bus processing. We go over what it can add to your mix, when you may want to use it, and we give an example to show you how mix bus processing can add shine, punch, glue, excitement at the end of your mixing process. Watch as we build a mix bus chain to get a mix sounding radio ready!Check out all of our samples, presets, MIDI packs, courses, and more!
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My Gear:
DAW: Cubase 11 Pro
Desk: AZ Studio Workstations
Main Microphone: Lewitt LCT1040
Monitors: Focal Shape 65s with Focal Sub6
Interface: UAD Apollo Twin USB
MIDI Keyboard: M-Audio Code 61
Keyboards: Roland Juno DS88, Roland Juno 106, Arturia PolyBrute
Guitars: Fender American Professional Stratocaster, Gibson Les Paul Studio, Taylor 214 CE Plus
Preamps: Heritage Audio HA81A & Audient ASP800
Microphones: Advanced Audio 251, Slate ML-1, Shure SM7B, JZ BH-1, JZ V67, Lauten Audio LA-320, Lauten Audio LA-220, Lauten Audio LA-120, AKG P170, Sterling ST59
Camera: Panasonic G7
Lens: Rokinon 12mm f2
Camera Lights: Neewer LED Light Panels
Timestamps:
Preview 0:00
Intro 0:25
What Is Mix Bus Processing 1:37
Why You Should Use Mix Bus Processing 2:33
Before The Mix Bus Processing 3:40
Handling Dynamics With Compression 4:37
Adding Excitement With Saturation 6:12
Refining The Balance With Smart EQ 8:16
Taking The Dynamics Up A Notch With Multi-band Compression 9:37
Mix Bus Mid Side EQ 11:19
Final Limiting 12:54
Before and After Mix Bus Processing 13:50
Mix Bus Chain Recap 14:25
Final A/B Without Limiting 15:02
What This Mix Bus Chain Did For My Mix 15:18
Outro 15:55
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