Gray Area Interview: BRUX

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For many years, BRUX didn’t want to show the world her face. Like numerous artists of various disciplines before her — from Marshmello and Malaa to Banksy and Thomas Pynchon — she sought the creative freedom that came from nebulous identity. But also contrary to the previous examples, all of whom are men, her decision to shroud herself under a shadowy cloud cover of gothic design also stemmed from the shallow and insipid impressions of non-male artists predicated by male artists and other male figures in the industry—as in she didn’t produce her own music or that her music was supposed to sound a certain way.

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Timestamps:
00:00 - Intro
00:55 - Early childhood music
09:00 - Assumptions about women producers
12:47 - Nina Las Vegas
14:30 - Australian dance music scene
18:00 - Flight Facilities
21:00 - Upcoming music/being no longer anonymous
28:40 - DIY approach
31:30 - Creative process
35:06 - NFTs/visual components to music
41:58 - How the industry can better support women
48:30 - Speed round

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