Orpheus' Echo, A carolingian soundscape - Per-Sonat, Sabine Lutzenberger dir.

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Orpheus' Echo, A carolingian soundscape - Per-Sonat, Sabine Lutzenberger dir.

Ensemble: Per-Sonat Album: Orpheus' Echo Video: Latin 6862, IX secolo (Carolingian Manuscript) http://www.facebook.com/musicamedievale • Orpheus was able to beguile the gods, humans and wild animals with his song and even soften stones - his ancient legendary figure became a myth. We also encounter this myth in the Middle Ages: at the end of the 9th century, the function of polyphonic music is described for the first time in the famous manual 'Musica enchiriadis'. The author chooses Orpheus as a model for his students. In theology, Orpheus, who descended into the realm of the dead and came back again, is equated with Christ by the Doctor of the Church Augustine. The popularity of the texts of the ancient poet Horace in the Middle Ages is also shown by recorded melodies, which were written down in various sources with neume signs. The ensemble Per-Sonat under the direction of Sabine Lutzenberger has reconstructed the medieval melodies to Horace's ancient odes and juxtaposes them with Gregorian chants that include Christ/Orpheus as the overcomer of death. Some of the chants are interpreted in several voices according to the rules of 'musica enchiriadis'. Carolingian cithara and citole as well as medieval harp and lyre are added to accompany the singing, creating a sound image of the Carolingian period from which the echo of Orpheus resounds into our time. (from Presto Music) This wonderful album by the Per-Sonat Ensemble was released this year 2023, is really well done and accurate in its musical reconstruction and interpretation. Under the direction of Sabine Lutzenberger we have musicians such Marc Lewon that play a Citola and a beautiful Carolingian Cythara, perfect for the mood of this musical programme, and the splendid voice of Hanna Marti that accompanying herself on harp and lyre. I wish you happy listening! Mirko Virginio Volpe MUSICA MEDIEVALE • Anon. 1 Sicut fuit Jonas in ventre 2 Aurea personet lira 3 Alleluya - Adorabo ad templum sanctum tuum Lewon: 4 Omorsestampie Anon.: 5 Popule meus 6 Ne avertas 7 Alleluia - Ave Maria gratia 8 Pastor cum traheret 9 Sic te diva potens Cypri Petrus Abaelardus: 10 Dolorum solatium Lewon: 11 Stantipes Dolorum solatium Anon.: 12 Donec gratus 13 Albi ne doleas 14 O fons Bandusiae Lewon: 15 Aurea Estampie nach Aurea personet lira Anon.: 16 Christus resurgens ex mortis 17 Alleluya, Surexit domino 18 O mors, ero mors tua 19 Miserarum est • Sabine Lutzenberger - Chant, Dir. Christine Mothes - Chant Sarah Newman - Chant Hanna Marti - Chant, Harp, Lyre Marc Lewon - Carolingian Cytara, Citole, Lyra, Chant • Buy: https://cutt.ly/3wsAZ4Cy 🌻 The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirko • #musicamedievale #earlymusic #carolingian #medievalmusic #per-sonat #medieval #charlemagne #karoli
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Orpheus' Echo, A carolingian soundscape - Per-Sonat, Sabine Lutzenberger dir.

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Ensemble: Per-Sonat
Album: Orpheus' Echo
Video: Latin 6862, IX secolo (Carolingian Manuscript)


Orpheus was able to beguile the gods, humans and wild animals with his song and even soften stones - his ancient legendary figure became a myth. We also encounter this myth in the Middle Ages: at the end of the 9th century, the function of polyphonic music is described for the first time in the famous manual "Musica enchiriadis".
The author chooses Orpheus as a model for his students.
In theology, Orpheus, who descended into the realm of the dead and came back again, is equated with Christ by the Doctor of the Church Augustine. The popularity of the texts of the ancient poet Horace in the Middle Ages is also shown by recorded melodies, which were written down in various sources with neume signs.
The ensemble Per-Sonat under the direction of Sabine Lutzenberger has reconstructed the medieval melodies to Horace's ancient odes and juxtaposes them with Gregorian chants that include Christ/Orpheus as the overcomer of death.
Some of the chants are interpreted in several voices according to the rules of "musica enchiriadis". Carolingian cithara and citole as well as medieval harp and lyre are added to accompany the singing, creating a sound image of the Carolingian period from which the echo of Orpheus resounds into our time. (from Presto Music)

This wonderful album by the Per-Sonat Ensemble was released this year 2023, is really well done and accurate in its musical reconstruction and interpretation. Under the direction of Sabine Lutzenberger we have musicians such Marc Lewon that play a Citola and a beautiful Carolingian Cythara, perfect for the mood of this musical programme, and the splendid voice of Hanna Marti that accompanying herself on harp and lyre.

I wish you happy listening!
Mirko Virginio Volpe
MUSICA MEDIEVALE

Anon.
1 Sicut fuit Jonas in ventre
2 Aurea personet lira
3 Alleluya - Adorabo ad templum sanctum tuum

Lewon:
4 Omorsestampie

Anon.:
5 Popule meus
6 Ne avertas
7 Alleluia - Ave Maria gratia
8 Pastor cum traheret
9 Sic te diva potens Cypri

Petrus Abaelardus:
10 Dolorum solatium

Lewon:
11 Stantipes Dolorum solatium

Anon.:
12 Donec gratus
13 Albi ne doleas
14 O fons Bandusiae

Lewon:
15 Aurea Estampie nach Aurea personet lira

Anon.:
16 Christus resurgens ex mortis
17 Alleluya, Surexit domino
18 O mors, ero mors tua
19 Miserarum est

Sabine Lutzenberger - Chant, Dir.
Christine Mothes - Chant
Sarah Newman - Chant
Hanna Marti - Chant, Harp, Lyre
Marc Lewon - Carolingian Cytara, Citole, Lyra, Chant

Buy:
🌻 The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation:

#musicamedievale #earlymusic #carolingian #medievalmusic #per-sonat #medieval #charlemagne #karoli


Orpheus' Echo, A carolingian soundscape - Per-Sonat, Sabine Lutzenberger dir.

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