Recording Sound for Film — How to Get Pristine Audio for Film

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Recording Sound for Film — How to Get Pristine Audio for Film

Recording Sound for Film — We look at one of the hardest elements to master when making a movie: capturing audio. Watch Pt. 1 ►► https://bit.ly/3X3iZvY Sound Recording Basics ►► https://bit.ly/3SqIK8j Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Special thanks to: CinemaGadgets ►► https://bit.ly/3MjrSwz Deity Microphones ►► https://bit.ly/4dDZOA2, https://bit.ly/4fSIj0F, https://bit.ly/3SYuzav DSLRguide ►► https://bit.ly/4fZshC0 DSLR Video Shooter ►► https://bit.ly/473LXjZ Lenny Menzo ►► https://bit.ly/3T2yZxc Michael Wohl-Author ►► https://bit.ly/3XhFdM5 Saramonic International ►► https://bit.ly/3Xtto5X URSA Straps ►► https://bit.ly/3yRihtY wcolby ►► https://bit.ly/4g36DNp ───────────────────── Chapters: 00:00 - Introduction to Recording Sound for Film 01:06 - Recap from Episode 1 01:44 - Recording Sound on Set 06:48 - Recording Interior Sound 10:54 - Recording Exterior Sound 14:04 - Takeaways ───────────────────── PROFESSIONAL SOUND RECORDING FOR FILM So you're making a movie. This probably means you'll need sound. For beginning filmmakers, sound can mistakenly be an afterthought, a task to give a generous friend. But recording great sound is vital to the success of a movie, whether it be a no-budget short or a blockbuster movie. In this episode of The Shot List, we look at how a production sound mixer operates on set to get the best audio possible. HOW TO RECORD SOUND FOR FILM The production sound mixer works closely with the director and other departments to ensure that the audio quality matches the visual production. This means often being present on tech scouts and being vocal about any potential sound issues that may arrise. The job requires a keen ear, technical expertise, and the ability to adapt to various on-set challenges, such as background noise or difficult acoustic environments. The production sound mixer typically uses high-quality microphones, a mixing console, and recording devices to capture the sound directly during filming. INTERIOR FILM SET SOUND RECORDING Interiors often present challenges such as echoes, reverb, or unwanted noise from HVAC systems. To mitigate these issues, sound mixers may use directional microphones like shotgun mics to focus on the audio source while minimizing ambient noise. Placing sound blankets or foam around the set can help absorb excess sound, creating a cleaner recording environment. Boom operators need to carefully position microphones to capture clear dialogue without picking up noise from the set. Often, lav microphones might be used to ensure consistent audio quality. HOW TO RECORD SOUND FOR EXTERIORS Recording sound outdoors introduces a different set of challenges, such as wind, traffic, and other environmental noises. To combat these (and other) issues, sound mixers often use windshields or “dead cats” on microphones to reduce wind noise. Directional microphones are once again crucial in exterior settings to isolate dialogue from background noise. Planning is key when recording outside—choosing the right time of day or scouting quieter locations can significantly improve sound quality. Sound is one-half of a movie. That can often be easy to forget– but a great filmmaker always keeps that in mind. Save money in the budget for a sound pro. #FilmTheory #VideoEssay #Filmmaking ───────────────────── ♬ SONGS USED: 'War Paint' - Rhythm Scott 'Origin' - David A. Molina 'A Moon Walk (Instrumental)' - Yehezkel Raz 'Double Espresso' - Francesco D'Andrea 'British News Team' - Lance Conrad '1986' - Angel Salazar 'Still Need Syndrome' - Yarin Primak 'In Love with Emi' - Fabien Fustinoni 'To Burn' - Man With Roses 'Life's Journey Begins' - idokay 'All Star' - ANBR 'Merge' - Theatre of Delays 'New World' - Ian Post 'Dojo Tradition (Instrumental)' - In This World 'Divider' - Chris Zabriskie 'Animātiō' - Mike Steele 'Inquisitions' - Kevin Graham Music by Artlist ► https://utm.io/umJx Music by Artgrid ► https://utm.io/umJy Music by Soundstripe ► http://bit.ly/2IXwomF Music by MusicBed ► http://bit.ly/2Fnz9Zq ───────────────────── SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0 Looking for a project management platform for your filmmaking? StudioBinder is an intuitive project management solution for video creatives; create shooting schedules, breakdowns, production calendars, shot lists, storyboards, call sheets and more. Try StudioBinder for FREE today: https://studiobinder.com/pricing — Join us on Social Media! — Instagram ►► https://www.instagram.com/studiobinder Facebook ►► https://www.facebook.com/studiobinderapp Twitter ►► https://www.twitter.com/studiobinder[Insert Body Text] #FilmTheory #VideoEssay #Filmmaking
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Recording Sound for Film — How to Get Pristine Audio for Film

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Recording Sound for Film — We look at one of the hardest elements to master when making a movie: capturing audio.

Watch Pt. 1 ►►
Sound Recording Basics ►►
Subscribe to StudioBinder Academy ►►
StudioBinder Blog ►►

─────────────────────

Special thanks to:
CinemaGadgets ►►
Deity Microphones ►► , ,
DSLRguide ►►
DSLR Video Shooter ►►
Lenny Menzo ►►
Michael Wohl-Author ►►
Saramonic International ►►
URSA Straps ►►
wcolby ►►

─────────────────────

Chapters:
00:00 - Introduction to Recording Sound for Film
01:06 - Recap from Episode 1
01:44 - Recording Sound on Set
06:48 - Recording Interior Sound
10:54 - Recording Exterior Sound
14:04 - Takeaways

─────────────────────

PROFESSIONAL SOUND RECORDING FOR FILM

So you're making a movie. This probably means you'll need sound. For beginning filmmakers, sound can mistakenly be an afterthought, a task to give a generous friend. But recording great sound is vital to the success of a movie, whether it be a no-budget short or a blockbuster movie. In this episode of The Shot List, we look at how a production sound mixer operates on set to get the best audio possible.

HOW TO RECORD SOUND FOR FILM

The production sound mixer works closely with the director and other departments to ensure that the audio quality matches the visual production. This means often being present on tech scouts and being vocal about any potential sound issues that may arrise. The job requires a keen ear, technical expertise, and the ability to adapt to various on-set challenges, such as background noise or difficult acoustic environments. The production sound mixer typically uses high-quality microphones, a mixing console, and recording devices to capture the sound directly during filming.

INTERIOR FILM SET SOUND RECORDING

Interiors often present challenges such as echoes, reverb, or unwanted noise from HVAC systems. To mitigate these issues, sound mixers may use directional microphones like shotgun mics to focus on the audio source while minimizing ambient noise. Placing sound blankets or foam around the set can help absorb excess sound, creating a cleaner recording environment. Boom operators need to carefully position microphones to capture clear dialogue without picking up noise from the set. Often, lav microphones might be used to ensure consistent audio quality.

HOW TO RECORD SOUND FOR EXTERIORS

Recording sound outdoors introduces a different set of challenges, such as wind, traffic, and other environmental noises. To combat these (and other) issues, sound mixers often use windshields or “dead cats” on microphones to reduce wind noise. Directional microphones are once again crucial in exterior settings to isolate dialogue from background noise. Planning is key when recording outside—choosing the right time of day or scouting quieter locations can significantly improve sound quality.

Sound is one-half of a movie. That can often be easy to forget– but a great filmmaker always keeps that in mind. Save money in the budget for a sound pro.


#FilmTheory #VideoEssay #Filmmaking

─────────────────────

♬ SONGS USED:
"War Paint" - Rhythm Scott
"Origin" - David A. Molina
"A Moon Walk (Instrumental)" - Yehezkel Raz
"Double Espresso" - Francesco D'Andrea
"British News Team" - Lance Conrad
"1986" - Angel Salazar
"Still Need Syndrome" - Yarin Primak
"In Love with Emi" - Fabien Fustinoni
"To Burn" - Man With Roses
"Life's Journey Begins" - idokay
"All Star" - ANBR
"Merge" - Theatre of Delays
"New World" - Ian Post
"Dojo Tradition (Instrumental)" - In This World
"Divider" - Chris Zabriskie
"Animātiō" - Mike Steele
"Inquisitions" - Kevin Graham

Music by Artlist ►
Music by Artgrid ►
Music by Soundstripe ►
Music by MusicBed ►

─────────────────────

SUBSCRIBE to StudioBinder’s YouTube channel! ►►

Looking for a project management platform for your filmmaking? StudioBinder is an intuitive project management solution for video creatives; create shooting schedules, breakdowns, production calendars, shot lists, storyboards, call sheets and more.

Try StudioBinder for FREE today:

— Join us on Social Media! —

Instagram ►►
Facebook ►►
Twitter ►► [Insert Body Text]

#FilmTheory #VideoEssay #Filmmaking


Recording Sound for Film — How to Get Pristine Audio for Film

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