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A24 Movies — We look at why exactly A24 is so popular, and what we can learn from its success.

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Chapters:
00:00 - Introduction to A24
00:25 - History of A24
01:54 - Quality & Quantity
02:54 - Creative Marketing
04:32 - Choosing Films
05:04 - Filmmakers First
05:40 - Expansion & Growth
06:26 - Higher Budget Commercial Films
07:29 - Future Outlook
08:42 - Takeaways

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WHAT MAKES A24 SO GOOD?

It's the question everyone has been asking for over a decade now. A24 is on a hot streak that is the envy of Hollywood. But is A24 really that different from the competition? What really makes A24 special? The answer may surprise you (hint: it's not really the movies). Let's dig into the mystique that is A24.

A24 FILM STUDIO?

A24 is an independent entertainment company that has made a name for itself by distributing, producing, and financing some of the most distinctive films of the past decade. Founded in 2012, A24 started primarily as a distributor, bringing under-the-radar films to wider audiences. That's right: it didn't actually make the movies. But over time, it expanded into production, financing, and even TV. Unlike major studios that often chase blockbuster returns, A24 focuses on artist-driven, genre-defying films that may not appeal to mass audiences but earn deep loyalty from cinephiles.

A24 MOVIES MARKETING

A24's marketing strategy is anything but traditional, and that’s arguably the biggest part of its success. Instead of relying on massive ad budgets, A24 often leans into internet culture and niche communities. Their trailers, posters, and social media campaigns tend to be cryptic, stylish, and minimalist, creating intrigue rather than explaining the entire film.

On top of that, A24 understands how to build a brand identity: when audiences see the A24 logo, they associate it with quality. The company has encouraged this by creating merchandise and physical media releases that tap into the collector culture. Rather than selling a movie, A24 sells an aesthetic.

WHY ARE A24 MOVIES SO GOOD?

Perhaps the most defining trait of A24’s success is its deep respect for filmmakers. In an industry where studios often dilute vision in favor of marketability, A24 stands out by giving directors real creative freedom. This has attracted a range of innovative voices, from Barry Jenkins to Ari Aster, Greta Gerwig to Robert Eggers. This philosophy has led to films that feel fresh and emotionally resonant.

Where A24 goes from here is anything but obvious. It's not the first hot indie studio, and most hot indie studios eventually collapse. Combine that with an astronomical valuation from private equity folks, and you've got a company that is going to be pressured to expand and find more revenue. That's not always a recipe for success.


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♬ SONGS USED:

“Chapstick” - Son Lux
“Scary Monsters And Nice Sprites” - Skrillex
“Pretend It’s A Video Game” - Cliff Martinez
“If You Leave Something Behind” - Christopher Bear & Daniel Rossen
“New Arrivals” - Danny Bensi and Saunder Jurriaans
“Seance Sleepwalking” - Colin Stetson
“Flashback” - Ben Salisbury & Geoff Barrow
“You Don’t Dream In Cryo” - James Horner
“The Pink Opaque Theme” - Alex G
“Mosh Pit” - Brooke Blair
“The House That Hårga Built” - Bobby Krlic
“Little’s Theme” - Nicholas Brittell
“We’re In The Money (Charles Manning ver)” - Harry Warren
“Very Busy” - Son Lux
“Refugees” - Ben Salisbury & Geoff Barrow
“Moving Out” - Ben Salisbury & Geoff Barrow
“Always With Water” - Bobby Krlic
“The Start of Things” - Trent Raznor & Atticus Ross
“The Bling Ring Suite” - Brian Reitzell & Daniel Lopatin
“Maxine Mission” - Tyler Bates

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