Скачайте изображение (превью) выбрав качество

320x180 480x360 640x480 1280x720

Ensemble: Diabolus in Musica
Album: Carmina Gallica
Video: MS 249, XII secolo

•
1 Promissa Mundo Gaudia - Hildebert de Lavardin
2 Vitam Duxi - Pierre de Blois
3 Sevit Aure Spiritus - Pierre de Blois
4 Spoliatum Flore Pratum - Pierre de Blois
5 Mundi Princeps Eicitur - Anonyme
6 Leto Leta Concio - Anonyme
7 Jam Dulcis Amica - Anonyme
8 O Labilis Sortis - Philippe Le Chancelier
9 O Sedes Apostolica - Anonyme
10 Gloria Si Mundi - Baudri de Bourgueil
11 Dum Medium - Philippe Le Chancelier
12 Sic Mea Fata - Hilaire d'Orléans
13 O Maria - Anonyme
14 O Mens Cogita - Philippe Le Chancelier
15 Turmas Arment - Anonyme
16 Virgo Mater - Adam de Saint Victor
17 Gratulemur - Adam de Saint Victor
18 Passionis Emuli - Anonyme
•
"Carmina gallica', French songs... For a man of the twenty-first century, the literal translation of the title sounds quite modern, but the poems and the music presented on our programme all date from between the late eleventh and early thirteenth centuries. Most of the pieces are secular, but a number of paraliturgical pieces have also been included, their presence being justified by the fact that secular and religious poetry at that time were very closely related. All the pieces are in Latin and are the work of clerics: love-songs, songs of lamentation or jubilation, narrative poems, dance songs, sequences, conductus….. All these poems, written in a language now dead, show an unexpected vitality and freshness. Singing them almost eight hundred years later is for us the best way to feel and understand
a twelfth century that is so very far removed from our own... For a long time many histories of music have assured us that the secular song came into being around 1100 with Guillaume IX, the first known troubadour, and from then on rapidly experienced great success. The birth of the song in the vernacular - in this case, Occitan, the langue d'oc - was of major importance in our artistic history. But we must beware of oversimplification, which could lead us to overlook other factors that are just as crucial: for example, the surprising amount of secular Latin poetry that was written at the time of the earliest troubadours, and mavbe even before. Before 1115 (i.e during the lifetime of Guillaume IX) Heloise told Abelard that voung people all over France hummed his Latin love-songs (alas, all lost). (From the booklet of the album)

I wish you happy listening!
Mirko Virginio Volpe
MUSICA MEDIEVALE
•
Tenor Vocals, Soloist, Percussion, Dir. - Antoine Guerber
Tenor Vocals – Antoine Guerbe, Raphaël Boulay
Baritone Vocals - Jean-Paul Rigaud
Soprano Vocals - Aïno Lund-Lavoipierre
Fiddle - Brice Duisit
•
Buy:
🌻 The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation:
•
#musicamedievale #medievalmusic #earlymusic #diabolusinmusica #clericivagantes #carminagallica #carmina #cantabrigiensia

Чтобы скачать видео "Carmina Gallica - Diabolus in Musica, Carmina Gallica XII secolo, Antoine Guerber dir." передвинте ползунок вправо