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Functions Rule of Three — We look at the different uses of triples in writing, from character to narrative structure.

What is the Rule of Three? ►►
StudioBinder Blog ►►

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Chapters:
00:00 - Introduction to the Rule of Three
01:10 - Why the Rule of Three Matters
02:18 - Chapter 1: Dialogue
06:36 - Chapter 2: Plot & Structure
10:44 - Chapter 3: Characters
14:16 - Takeaways

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THE RULE OF 3 EXPLAINED

Good things come in threes, and nowhere is this more true than in writing. Since ancient times, writers and storytellers have used rules of three to create satisfying narratives. One time is an isolated incident. Twice is a coincidence. Three times is a pattern. In this video, we break down the many uses of the rule of three.

RULE OF THREE COMEDY AND DIALOGUE

In dialogue, the rule of three manifests as a rhythmic device that enhances the impact of speech. A character may list three reasons to justify a decision, or a persuasive argument might be structured in three parts, each reinforcing the speaker's point. This is often called a tricolon.

Comedic dialogue, meanwhile, often relies on setting up two similar ideas before delivering a punchline with the third, creating a pattern that primes audiences for the joke and enhances its impact. This technique leverages the element of surprise within a familiar structure, making the humor more effective.

NARRATIVE FUNCTIONS RULE OF THREE

Within the narrative, the rule of three provides a framework that feels both complete and satisfying. The classic three-act structure— setup, confrontation, and resolution— guides audiences through a coherent journey that mirrors life's trials, victories, and growth.

The rule of three can also be found in conflict. There are, you guessed it, three degrees of conflict: internal, interpersonal, and external. Using a mix of all three of these can give a narrative more variety and depth.

CHARACTER RULE OF THREE EXPLAINED

First and foremost, the rule of three is used in character dynamics. A group of three primary characters provides the potential for love triangles, power struggles, and more.

The rule of three also applies to how a character reveals themself to the audience. There are three layers to a character: what they show the world, what they show close friends and family, and what they only reveal to themselves. Deciding when and how to show these layers is crucial for a writer.
The rule of three is a testament to mankind’s affinity for patterns, providing a structure that enhances storytelling across dialogue, narrative, and character. Whether through the strategic delivery of a joke, the pacing of a plot, or the depth of a protagonist, the principle remains a cornerstone of compelling storytelling.


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♬ SONGS USED:

"The Magic Number" - De La Soul
"Distance" - Daniel Brown
"Neon Sun" - Jacob Montague
"In Love with Emi" - Fabien Fustinoni
"Happy Ending (Alternate)" - Hans Zimmer
"Life's Journey Begins" - idokay
"The Wizard's Exposé : Emerald City Graduation Exercises (Extended Version)" - MGM Studio Orchestra
"A Battle in the East" - Rhythm Scott
"Christmas Vacation" - Mavis Staples
"Main Titles - The Little Mermaid" - Alan Menken
"Binary Love" - Stanley Gurvich
"Assembly Line Dreams" - Ostin Drais
"The Perfect Storm" - David Morton
"Helm's Deep" - Howard Shore
"The Bridge of Khazad Dum" - Howard Shore
"1986" - Angel Salazar
"Atlantique" - A.M. Beef
"S.T.A.Y." - Hans Zimmer
"Inquisitions" - Kevin Graham
"Blood Trails" - Carter Burwell
"If You Leave Something Behind" - Christopher Bear, Daniel Rossen
"Ain't No Mountain High Enough" - Diana Ross
"Wall of Fire" - Tony Anderson
"Main Title (from "Taxi Driver")" - Bernard Herrmann
"Thank God for the Rain" - Bernard Herrmann
"Anime" - Magiksolo

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Music by Artgrid ►
Music by Soundstripe ►
Music by MusicBed ►

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