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What is a Film Permit — We look at how film permits work, and why you need one, even as an indie filmmaker.

What is a Film Permit? ►►
Learn More about Permits at FilmLA ►►
Amy Kradolfer Interview ►►
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StudioBinder Blog ►►

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Special thanks to:
Silenceboy 1stamendment ►►

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Chapters:
00:00 - Introduction to Film Permits
00:37 - Introduction to Amy Kradolfer of Film LA
02:10 - Chapter 1: When Do You Need a Permit?
04:57 - Chapter 2: What Do You Need for a Permit?
08:10 - Chapter 3: How to Get a Film Permit
11:19 - Takeaways

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FILM PERMITS EXPLAINED

Guerilla filmmaking is much-romanticized– renegade directors fearlessly getting a shot no matter what rules are being broken. But in reality, some rules exist for a reason, and getting a film permit makes sense for both you and your crew and the general public. In this video, we look at everything you need to know about film permits.

WHEN DO I NEED A FILM PERMIT

If your film has commercial value and is being shot on public property, you technically need a permit. This refers to a wide swath of production-types, including music videos, short films, and of course features and TV. And film permits aren’t just for public property. In LA and much of its surrounding jurisdictions, you need a permit for private property as well.

WHAT IS IN A FILM PERMIT

Say you need a film permit. What information is required from you? The first is money– yes, unfortunately permits have a fee. This fee, however, changes depending on the nature of the production and the location in which you’re shooting. You will also be required to have production insurance. If you’re not sure what kind of insurance is appropriate, or how to get it, usually you can talk with the local permitting office. Of course, you’ll also need to provide details on the shoot, such as dates and time, equipment being used, and so on.

HOW TO GET A FILM PERMIT

Film permits aren’t hard to obtain if you have all your ducks in a row. Make sure you apply for a permit early, both to know you’ve secured a location and to make time for any potential delays in approval. You should also be sure the permitting office you’re dealing with actually has jurisdiction over the location you want to shoot on.

Permitting is crucial to having a smooth shoot. You don’t want to have your day halted, your equipment seized, or your production to be fined. Better to cross your T’s and dot your I’s.


#FilmTheory #VideoEssay #Filmmaking

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♬ SONGS USED:

“Solo Percussion 1“ - Angelo Badalamenti
“Mr. Lugosi/Hypno Theme“ - Howard Shore
“Quantum IV” - Makeup and Vanity Set
“Rock and Roll Part II“ - Gary Glitter
“A Blessed Creature“ - Disasterpeace
“Main Title (Maps To The Stars)“ - Howard Shore
“Treat Her Right” - Roy Head
“Tannhauser Gate” - Makeup and Vanity Set
“The Wanderer” - Makeup and Vanity Set
“Emma’s Phone Jam“ - James Lewis Venable
“Just Our Tuesday Afternoon“ - Lorne Balfe
“Who Are They“ - Carter Burwell
“A Lovely Night“ - Justin Hurwitz
“Sorrento Punked“ - Alan Silvestri
“Stranger Things“ - Kyle Dixon and Michael Stein
“Manny and Nellies Theme“ - Justin Hurwitz
“Funky Fanfare“ - Keith Mansfield
“The Curse of Edendale“ - Disasterpeace
“You’re Gonna Hurt Someone” - Lorne Balfe
“L'Ultima Diligenza di Red Rock“ - Ennio Morricone
“Amok In Redo“ - Cowboys In Japan
“The Verdict“ - Ennio Morricone
“Abigail Suite“ - Brian Tyler
“Rabbia E Tarantella” - Ennio Morricone

Music by Artlist ►
Music by MusicBed ►

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